Canadian film director best known for the 1997 cult sci-fi Cube and the 2009 film Splice. Works often blend science fiction and horror with psychological themes.

Debuted with Cube (1997). Critical reception on DeBaser is mixed: Cube is praised as an idea-driven masterpiece, while Splice has attracted significant criticism. Reviews mention other titles such as Cypher and Nothing.

DeBaser's reviews show a split reception: Cube is celebrated as an idea-driven masterpiece of claustrophobic sci-fi, while Splice is criticized for losing focus and becoming glossy horror. The coverage highlights Natali's interest in psychological and ethical tensions in speculative settings. Overall critical opinion here is mixed.

For:Fans of idea-driven science fiction and psychological horror; readers who appreciate low-budget creativity and ethical/sci-fi themes.

 For me, A MASTERPIECE of logic, ingenuity, action, and pathos... in short, in a phrase: “poor” cinema but rich in ideas and intelligence!

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 The film becomes Dren’s growth, with its sexual and emotional implications, but without real structure, without a fundamental idea that truly gives meaning to Natali’s work.

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