[jk enjoyed reviewing a non-existent band. It's funny. He even sent the cover, which we are happy to publish - Ed.]

Since someone questions the existence of the mythical Urdury, here I am to review the following The Genocide.

For the less informed (everyone, apparently): it is a trilogy, for now, started with The Murder, continued with The Slaughter, and the latest The Genocide represents the most precious gem... the fury of the titles is matched by the blind rage of lyrics and rhythmic section... in the initial "I Cloned Dolly Sheep And Fucked Her To Death," the continuous stop-and-go sequences are astonishingly powerful, thanks to the technical preparation of our guys from the Norwegian conservatories they come from.

The titles: as explained by the crazy singer Aurasethy, are chosen completely at random and have nothing to do with the content of the songs... basically, our guys don't give any importance to the title, they put it on... because it's not nice to say: "do you like number 6? I like number 4!".
They intentionally stay underground because they've seen what happened to their illustrious colleagues...

I would define their sound as a post-modern regurgitation emitted by a farmer struggling with a cow that doesn't want to go back to the barn, and it's late evening, and there's the Champions final. Joking aside, I didn't need many words, they lent me the second CD... and it was love.

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