Cover of Ulver Nattens Madrigal
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THE REVIEW

TRUE NORWEGIAN BLACK METAL
AAAAAAAHHHHHHHHHHHHHHHHHHHH

Eight tracks that sound like they were recorded live in your bathroom represent the farewell and a sort of spiritual testament of the Ulver (wolves in Norwegian) to black metal and metal in general.

After the first three albums: Bergtatt, aligned with the coordinates of this Nattens Madrigal and Kveldssanger which seemed to be a kind of acoustic-only album, the Ulver, or what remained of them, turned to trip-hop and the more dreary side of electronics. In a year, 1996, when mostly releases were little more than decent by groups trying to emulate the greats of the early '90s, somewhat scattered, such as Dodheimsgard, Ved Buens Ende, Aura Noir, or Cadaver Inc., just to name the Norwegian elite of imitators, an album so genuine from a group that has been present since the dawn of the scene couldn't help but become a cult. Then the fact that it was recorded in the middle of a Norwegian forest or the fact that Ulver have always drawn on the theme of lycanthropy adds further charm to an album that is truly raw and... brash but at the same time beautiful. Icy and sharp riffs, the drums, for the few moments you are fortunate enough to hear them, are engaged in constant and precise blastbeats à la Marduk, and over it all is the acidic and sometimes irritating screaming of Garm, whom we can also find at work in Arcturus or the early Borknagar.

Thanks to the splendid guitar riffs, sometimes rabid, icy almost neurotic, and other times sweet like in Wolf and Passion or epic like in Wolf and Destiny but always in tremolo picking from start to finish, which draw beautiful and easily assimilable melodies, the eight tracks flow without weighing too much on our ears or perhaps excessively straining our dear brains.

An album that would freeze the blood of someone who has never heard anything meaner than Iron Maiden, an album where the essence of Norwegian Black Metal is hidden, a must-have at all costs at least to be able to read the lyrics written in English that is anything but classy.

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Summary by Bot

Ulver's 'Nattens Madrigal' is a raw, brash, and iconic black metal album recorded with a lo-fi live feel that reflects the pure essence of Norwegian black metal. The album features icy, sharp riffs, precise blastbeat drumming, and intense acidic screams by Garm. It stands as a cult classic from the mid-90s Norwegian scene, notable for its musical brutality balanced by melodic accessibility. The album holds a spiritual significance as Ulver’s farewell to black metal before they moved into different musical directions.

Tracklist

01   Hymn I: Wolf and Fear (06:16)

02   Hymn II: Wolf and the Devil (06:21)

03   Hymn III: Wolf and Hatred (04:47)

04   Hymn IV: Wolf and Man (05:21)

05   Hymn V: Wolf and the Moon (05:14)

06   Hymn VI: Wolf and Passion (05:48)

07   Hymn VII: Wolf and Destiny (05:32)

08   Hymn VIII: Wolf and the Night (04:38)

Ulver

Ulver is a Norwegian band formed in 1993, widely noted (in these reviews and beyond) for moving from early black metal and folk/acoustic music into electronics, ambient and other experimental directions. Kristoffer “Garm” Rygg is repeatedly cited as the central voice and identity across their transformations.
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By Rocky Marciano

 "In its heart: an immeasurable abyss, like the dark sea, which loves its depths."