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There’s not even a trace of commercial intentions here: Eye sticks with his proven repertoire of screams, squeals, beastly spasms; but it’s Yoshimi who is the real star of the record, thanks to drumming more sensible than it might seem on first listen, and that wouldn’t look out of place in more canonical contexts. Discover the review
There’s not even a trace of commercial intentions here: Eye sticks with his proven repertoire of screams, squeals, beastly spasms; but it’s Yoshimi who is the real star of the record, thanks to drumming more sensible than it might seem on first listen, and that wouldn’t look out of place in more canonical contexts.
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