Punk, in its anarchic-disruptive inclination, lasted just that fraction of time, which, albeit brief, completely erased the intentions of the previous generation.
Now true anarchy reigned undisturbed in the music of the early '80s; starting from a stasis of general deconstruction and destructuring of music, rock seemed apparently dead.
It was 1981 and U2, which seemed to be just a promising Irish band, were about to release their second LP.
October opened with Gloria, creating an atmosphere of liturgical psalmody, almost an antiphon of the album itself. The tones immediately revealed themselves to be very intimate, as if the shadow of death that had struck the singer Bono (his mother had just passed away) was omnipresent. Sorrow plunges people into oblivion (I FALL DOWN) but at the same time provides the key to interpretation for the ascent (REJOICE).
The young singer looked to tomorrow (TOMORROW) full of existential doubts, OCTOBER was disconcerting for its minimal beauty: it almost lacked the courage to breathe during its two minutes, just as an audience member might hide timidly in a corner. One must have felt really strange in that IRELAND, still too surly towards what was outside; it was really all there, enclosed in a narrow and suffocating universe (IS THAT ALL?)...or perhaps they simply did not imagine what would happen just a few years later.
"October is a journey between restlessness and confusion within a melancholic winter frame."
"It is a sincere work that holds tightly to its moments of class, and therefore deserves respect."
"Gloria... faithfully reflects the complexity of the unhappy situations recently faced by the band."
"An album that never gives way to compositional uncertainty, crossing a musical path characterized by a sharp sound..."