The tight lyrics, the dark, harsh, almost macabre atmosphere of Exit, skillfully created by the perfect interplay between bass and drums and Edge's furious guitar, revolve around a theme related to the forms inherent in the imparting of Christian blessing. The tragic "protagonist" of the pressing and dramatic murderous episode upon which the sequence of passages develops is described as a "religious man," surely active in the practices of Christian liturgy (a priest? a pastor? a reverend?).
He is a man who "wanted to believe in the hands of love." Evident is the example of the laying on of hands to bestow blessing and healing:
«In the hands of love»
«He felt the healing/ Healing, healing, healing/ Hands of love»
The "hands of love," the hands that operate as channels of healing, are explained in the evangelical treatment.
The drama of the lyrics sinks into the epilogue of the text, recalling in the "final resolution" the destructive capacity of the same hands outstretched to build, to bless, to heal. The "final resolution":
«He saw the hands that build
Can also pull down
The hands of love»
associates in the same being, in the same capacity for action, good and evil, blessing and sin:
«The wise (...) builds (...), But the foolish pulls it down with (...) hands».