Described in the available review as the solo project of Spencer Clarke; produces experimental electronic music and, on The World of Shells (2016), writes, performs and produces alone.

The World of Shells (2016) is discussed in the provided DeBaser review; the reviewer identifies Spencer Clarke as the person behind the project and characterizes the music as experimental electronic with world-influenced elements.

A single DeBaser review (by ziltoid) covers Typhonian Highlife's The World of Shells (2016). The album is described as experimental electronic that foregrounds nature through high-technology sound design. The reviewer finds it original and evocative, awarding a 3/5.

For:Listeners of experimental electronic and world-influenced music; readers who enjoy evocative, nature-infused sound art.

 Written, performed & produced alone, 2016, a retractable, bizarre experimental electronic, similar to a three-dimensional canvas for a not-so-simple and difficult-to-frame drawing; yet it shows the mask from both sides, both virgin forest and human artifact; in every sound expression it is crystal clear how nature is the protagonist in the story, symbolically painted through high technology that, without flattening the result, abstracts the sounds from rhythm creating a purely evocative sensation; evolution, diversity, geometry, gravitational force, if world music then it describes things at quantum distances, simple glimpses at the structure of matter, while if electronic, I would pair it only with electrostatic interactions.

  Discover the review
Loading

Oh no! This artist is not in any charts. Why don't you add them yourself using the button below

Image Id: 94299 Resolution: 600 x 450
You and Typhonian Highlife
Who knows Typhonian Highlife?
Loading...