Cover of Tygers of Pan Tang The Wreck-Age
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For fans of tygers of pan tang, lovers of 1980s pop metal and aor, listeners interested in crossover rock genres and nostalgic 80s music.
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THE REVIEW

The reason why the Tygers of Pan Tang are famous is certainly not found in this 1985 album, "The Wreck-Age", a pop metal/AOR candy that thrives on unique, unrepeatable novel elements that, in fact, have never been replicated by anyone.

Here hard rock hybridizes with the pop of the era in a Fame style. Genre boundaries disappear, resulting in a brilliant promiscuity that pleases no one. Or does it displease everyone? I know people who would punch the Tygers in the teeth for this album, just as I know people who, like me, proudly display it among their music memorabilia of inestimable sentimental value.

What makes someone despise or adore this album? The electronic drums used as only Legs Diamond of those times knew how, keyboards carving pomp/pop melodies to the limit of tolerance for die-hard metalheads, baroque and sugary choruses constructed with voices layering upon each other in a dazzling display of technical and vocal prowess worthy of the best four-voice groups. But fear not, this is not a Pooh album.

A vitality that rhymes with the eighties pervades the entire album, which, light and bubbly, frolics along the gold leaf inlays scattered across the staves of a score that races like a freeway. A clean and airy production adds decibels to every movement of air generated by the band, who, with a completely personal vision, began to play the album as seen on the cover, in leather jackets, with hints of lipstick and eyeliner, continued by shedding the jackets and sweating like 1985's club revelers under the disco ball, and finished by tying a leopard band around their foreheads.

Rock heroes seeking success, thankfully they've achieved it with conviction from my perspective. Although the idea always lingers that these little anthems could be danced by the cast of the now defunct Fame, triumphant tracks like "Waiting", "Protection", "Innocente Yes" - just to name the opening trio - have the power to bring a smile to anyone's face because they target that part of the brain that memorizes and has you singing everything back from memory within five minutes.

The voice is one of those that stands on my personal podium.

Listen to these Tygers adorned as little tigers.

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Summary by Bot

The Wreck-Age by Tygers of Pan Tang is a unique 1985 album mixing pop metal and hard rock with fresh, catchy elements. The electronic drums and lush vocal harmonies reflect 80s vitality. While divisive among metal purists, it holds strong sentimental value for fans. Energetic tracks like "Waiting," "Protection," and "Innocente Yes" showcase the band's personal style and memorable melodies. This album is celebrated for its unforgettable voice and danceable anthems.

Tracklist

01   Waiting (05:28)

02   Protection (03:06)

03   Innocent Eyes (03:02)

04   Desert of No Love (04:08)

05   The Wreck-Age (03:27)

06   Women in Cages (03:04)

07   Victim (03:41)

08   Ready to Run (04:53)

09   All Change Faces (02:55)

10   Forgive and Forget (05:53)

Tygers of Pan Tang

Tygers of Pan Tang are a British heavy metal band formed in Whitley Bay in 1978 and one of the key names of the NWOBHM. Early albums Wild Cat (1980) and Spellbound (1981) cemented their reputation, aided by guitarist John Sykes and vocalist Jon Deverill. After more commercial turns on The Cage (1982) and later AOR-leaning releases, the band regrouped, returning to form with 2000s–2010s albums including Animal Instinct (2008), Ambush (2012), Tygers of Pan Tang (2016), and Ritual (2019), led by founding guitarist Robb Weir and vocalist Jacopo Meille.
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