Triana
El patio

THE REVIEW

This is my first review. I hope not to get slaughtered instantly.

I chose the debut album by Triana, a trio from Seville. The group's name is actually taken from a neighborhood in the Andalusian city. It was released in 1975. Caudillo Franco is dying, and Spain is heading into a new era. This is the backdrop faced by this group. It is a remarkable album, very evocative. The musical exploration that inspires this record is unique: the members looked with interest at Spanish folk music and Flamenco, which heavily influences the style of their songs. The rhythms and sounds typical of Spanish culture are fused with a taste very close to symphonic prog. This is immediately noticeable in the first song, "Abre La Puerta", which lasts nearly ten minutes. The sound is obviously sophisticated, and you can notice, especially at the end, an improvisational instinct. The voices of Jesus de La Rosa Luche and Eduardo Rodriguez Rodway alternate with vigor and energy. As the album progresses, you can hear an incredible alternation between the guitars and good work on the drums and percussion, whose accompaniment is appreciable. The use of the mellotron seals it all.

Now for some warnings. It may not be the best album in the world, but it deserves a listen. It's better when you are secluded, in your own tranquility. Mental stimulation and impressions are guaranteed. It's recommended, during the listening, to view some paintings by Dalí. It will amplify the effect produced by this album, engaging and innovative. There's a desire to experiment and explore new things, qualities that perhaps were missing in many other more famous bands. I conclude by pointing out the splendid cover, an absolute must-see!