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THE REVIEW
The return to the scene of Tori Amos, after an anthology collection followed by a period of inactivity in concerts, brings back to us in all her renewed vigor one of the most beautiful and intense voices of the last ten years.
Behind the 19 tracks of "The Beekeeper," the signs of maturation linked to motherhood are clearly visible, and, as for the more strictly musical aspect, the choice to accompany her inseparable piano with a Hammond organ gifted to her by her husband. Even Tori's intimate writing seems to be influenced by the current political situation if, in a track like "The Power Of Orange Knickers," she feels the need to tackle a delicate theme such as terrorism.
Returning to the music, another noteworthy aspect is the greater attention paid to percussion, particularly those of Afro/Cuban origin. The prolixity of "The Beekeeper," upheld by a tired and overly self-referential writing, further weakens the final result, delivering to us a record barely more than sufficient. Considering the stature of an artist like Tori, this work can be easily labeled as a forgivable mistake.
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Summary by Bot
Tori Amos returns with The Beekeeper after a hiatus, showing signs of personal and musical growth influenced by motherhood and politics. The addition of Hammond organ and Afro-Cuban percussion adds new textures. However, the album suffers from overly lengthy and self-referential writing, resulting in a record that is only barely sufficient. Despite flaws, the album is seen as a forgivable mistake from a respected artist.Tracklist Lyrics Videos
Tori Amos
American singer-songwriter and pianist Myra Ellen 'Tori' Amos (born 1963 in Newton, North Carolina) rose to prominence with piano-driven, confessional albums beginning with Little Earthquakes (1992).37 Reviews
