In 1989, the singer-songwriter Tom Petty, famous all over America since 1976, decided to step away from his backing band, The Heartbreakers, for a while to pursue (if it can be called that) a solo career, which would last in name for a few albums. "Full Moon Fever" is the first of these albums, but not only that: it is also the evidence of Tom Petty's artistic maturity, of his complete musical and, in a sense, spiritual harmony. Perhaps it's because he is accompanied by guests of enormous caliber such as Roy Orbison and George Harrison or the bassist of E.L.O. (with whom he would later form the Traveling Wilburys), or perhaps it's just the fact that he put his heart into writing this work: and when Tom puts his heart into something, you simply cannot be disappointed.

What characterizes Full Moon Fever compared to previous albums is the sound: you can indeed perceive a slight shift towards the Eighties, towards a less rough and more refined atmosphere mainly due to the significant influence of his friend and bassist Jeff Lynne.

The album opens with "Free Falling", which will become the flagship song of Petty & Co., with which the artist will forever be labeled and, rightly so, associated. The track is indeed one of the most beautiful that Tom has ever written: with his vocal tones, his words, the way he makes his Rick & Backer sing, accompanied by the fantastic choruses of Cambell and Lynne, he manages to convey and transmit a mixture of various feelings, like anger, sadness, love, loneliness, tenderness... a timeless masterpiece!
Immediately followed by "I Won't Back Down", now famous, which is accompanied by the melodic weeping guitar of George Harrison: it quickly makes its way onto the American charts. The sound is very Eighties, and especially very different from what one usually expects from Petty, namely music heavily inspired by Byrds, Beatles, Springsteen, and Dylan. Aspects that are found slightly in "Love Is A Long Road", which, in fact, if it weren't for the intro keyboard, could easily have been part of the album "Into The Great Wide Open". Follows another new experiment that Tom feels the need to do: with "A Face In The Crowd", he opens the dance to sad-ballads, intense goosebump-inducing songs, electric yet melancholic, characterized by his epic and emotional voice, so sweet and sad at the same time. Such pieces can also be heard in subsequent albums, especially in "Wildflowers" and "Echo". From melancholy, the stage is left to the absolute delirium of "Running Down A Dream", a wonderfully successful hard rock piece, with a powerful guitar riff and a compelling refrain that captures from the first and delightful listens. The final mega-solo is also praiseworthy, again affirming the importance of the group's right-hand man, Mike Campbell.
A shift in sound detaches itself from the rest of the songs in "Feel A Whole Lot Better", "Depending On You", and "Apartment Song" where Petty seems to return to heartbreaker origins in the style of "The Waiting," with rock'n'roll and beat reprisals, in a delightful melodic excitement. At this point, it is time to pick up the acoustic guitar, and play the first thing that comes to mind, like "Yer So Bad", simple and brilliant, enchanting with its vigorous pick strokes and mocking words. Separate praise should be given to "All Right For Now", two minutes of pure poetry, of chills and feelings, represented by an acoustic arpeggio and Tom's voice as a musical instrument, so passionate and poignant. Contrasting this small moment of magic capable of transporting you far from the real world, there is "A Mind With A Heart On Its Own", a successful and fun semi-gospel, with black choirs and even a reprise, which with a fading introduces the album's closure, "Zombie Zoo": once again, one would never have expected such a commercial and modern acoustic sound from a Tom album, but not for this reason less appreciable, on the contrary, often evolutions are the fruit of artistic maturity of great value.

Perhaps the most beautiful album of all, along with Wildflowers, by one of the greatest singer-songwriters of all time.

Tracklist Lyrics and Videos

01   Free Fallin' (04:16)

She's a good girl, loves her mama,
Loves Jesus, and America too.
She's a good girl, crazy 'bout Elvis,
Loves horses and her boyfriend too.

It's a long day livin' in Reseda.
There's a freeway runnin' through the yard.
And I'm a bad boy, 'cause I don't even miss her,
I'm a bad boy for breakin' her heart.

And I'm free, free fallin'.
Yeah I'm free, free fallin'.

All the vampires walkin' through the valley
Move west down Ventura Boulevard
And all the bad boys are standin' in the shadows
And the good girls are home with broken hearts.

And I'm free, free fallin'.
Yeah I'm free, free fallin'.

I wanna' glide down over Mulholland,
I wanna' write her name in the sky.
I'm gonna free fall out into nothin',
Gonna leave this world for a while.

And I'm free, free fallin'.
Yeah I'm free, free fallin'.

Yeah I'm free, free fallin'.
OH!
Free fallin'

02   I Won't Back Down (02:58)

03   Love Is a Long Road (04:07)

04   A Face in the Crowd (03:59)

05   Runnin' Down a Dream (04:52)

06   Feel a Whole Lot Better (02:49)

07   Yer So Bad (03:05)

My sister got lucky, married a yuppie
Took him for all he was worth
Now she's a swinger dating a singer
I can't decide which is worse

But not me baby, I've got you to save me
Oh yer so bad, best thing I ever had
In a world gone mad, yer so bad

My sister's ex-husband can't get no lovin'
Walks around dog-faced and hurt
Now he's got nothin', head in the oven
I can't decide which is worse

But not me baby, I've got you to save me
Oh yer so bad, best thing I ever had
In a world gone mad, yer so bad

Ah but not me baby, I've got you to save me
Oh yer so bad, best thing I ever had
In a world gone mad, yer so bad

Oh yer so bad, best thing I ever had
In a world gone mad, yer so bad

08   Depending on You (02:48)

I ain't ever gonna let you down
All you gotta do is trust me
I would never make you some clown
Baby why won't you trust me

You give up so easily, I don't know why you can't see
I'm depending on you, don't let me down
I'm depending on you

Baby if you can't change the world
Maybe you should just change yourself
You used to be such a sweet young girl
Why you wanna be someone else?

You give up so easily
I don't know why you can't see
I'm depending on you
Is it too late now?
I'm depending on you

09   The Apartment Song (02:32)

10   Alright for Now (02:00)

goodnight baby, sleep tight my love..
may God watch over you from above..
tomorrow I'm workin', what would I do?
I'd be lost and lonely, if not for you..

so close your eyes..
we're alright, for now..

I've spent my life travelin', I've spent my life free..
I could not repay all that you've done for me..

so sleep tight baby, unfurrow your brow..
and know I love you, we're alright for now..

we're alright for now..

11   A Mind With a Heart of Its Own (03:31)

12   Zombie Zoo (02:58)

All down the street they're Standing in line,
With white lipstick and one thing on their mind.
Hey little freak with the lunchpail purse,
Underneath the paint you're just a little girl.

CHORUS
Dancin at the Zombie Zoo
Dancin at the Zombie Zoo
Painted in a corner and all you wanna do is
Dance down at the Zombie Zoo

Cute little drop out
How come you pack a rod
Is your mother in a clininc
has your father got no job
Sometimes your so impulsive
You Shaved off all your hair
You look like Borris Karloff
And you dont even Care

Chorus

She dissapears at sunrise I wonder where she goes until the night
Comes fallin down again
You show up with your friends half alive

Dancin at the Zombie Zoo
Dancin at the Zombie Zoo

Why, you can make a big impression or go through life unseen
You might wind up restricted and over seventeen
It's so hard to be careful so easy to be led
Somewhere beyond the pavement, you'll find the living dead

Chorus

She dissapears at sunrise
I dont know where she goes until the night
Comes falling down again
You shows up with your friends half alive

Chorus

Yea dance down at the Zombie Zoo x2

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