That dEUS had a fixation with Fridays was known (159 times in a song, there must be a reason). Tommaso Barman, in his directorial debut, reveals the same fixation: "Any Way The Wind Blows" (a Zappa-like title) was released in 2003 by Axiom Films, and takes place all in one day. Coincidentally, a Friday.
Windman is a standalone character, a man of the winds who doesn't know where to go or what to do exactly.
There are many ideas, but little coherence, or plot: what keeps the film alive is the desire to tell stories, even things that have nothing in common, like a frisbee, a horse, and the mysterious Windman. In the end, the stories intertwine ("at night, a party welcomes all..."), in a web of romantic intrigues and strange coincidences, but I still haven't figured out what the hell the dance that closes the film means.
Barman's direction is like the music of dEUS. Lively, eccentric, enterprising. And indeed, it goes a bit "any way the wind blows." His camera moves wherever the wind blows.
The selection of songs made by Tommaso deserves applause (dEUS, Magnus, Herbie Hancock, Queens of the Stone Age), yet there's one flaw: why didn't they dub the film in Italian? Who knows.
I give it a 7, I say. For the rest, YOU rate it.
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