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❝ This ugly and unwatchable film - I say it right away, to avoid the usual instrumental controversies by the usual wise guys - is the expression of a double mystery, a mystery that touches the lives of its director and its protagonist.
❝ The last erotomaniac peplum is a cult film, visionary, kitsch, a Fellinian-Satyricon circus and a political satire on power, slashed by censorship, shot and then disowned by Brass himself who abandoned the set due to various differences with the production by Bob Guccione of "Penthouse"
❝ When he doesn't have to play the character of the 'Great Pig', Tinto Brass reveals himself to be a true man of cinema, passionate, sincere, competent, and humble.
❝ This 'The Flying Saucer' is truly something historic, something that if it had been shot in America, would have been labeled 'underground,' and it's a shame that today almost no one knows about it anymore.
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