Cover of Tim Miller Love, Death & Robots – Ep. 1 “Il vantaggio di Sonnie”
joe strummer

• Rating:

For fans of tim miller, lovers of dark sci-fi animation, netflix binge-watchers, and viewers who enjoy intense, visually striking short stories.
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THE REVIEW

Science fiction pills, bite-sized reviews. I was impressed by the first episode of this much-talked-about series lately. Impressed by the ferocity, the aesthetic richness, the ability to condense in 17 minutes some themes and mechanisms dear to a certain audience that Netflix now openly courts. An adrenaline rush like Evangelion in Berserk mode.

Netflix rarely produces something truly original; it's more about reworking already popular motifs, subjects that are now well-established. Here, it merits offering its blend of pop culture in a reduced, very concise format, emphasizing violence, vulgarity, gloom, darkness, nihilism. It even serves up a small moral lesson that nevertheless isn't too annoying.

At short distances, the company manages to hide its authorial gaps and can focus solely on the visual delivery of its product. There's no time for intricacies, only for the thrill of a story sharp as a blade. A sci-fi orgasm with no second thoughts.

I rewound at least a couple of scenes because the enjoyment was too immense, that unhealthy thrill only certain extreme and aestheticized violence can give you. Gigantic monsters, androids, regeneration tanks, effusions between hotties, internalized traumas, and dismembered bodies. And there are seventeen more episodes.

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Summary by Bot

The first episode of Tim Miller's Love, Death & Robots impresses with its intense visuals and action-packed storytelling. In just 17 minutes, it delivers violent, dark, and nihilistic sci-fi themes enriched by pop culture influences. The episode offers a thrilling experience akin to Evangelion and Berserk, balancing gore with a subtle moral layer. Despite Netflix's usual tendency to rework known motifs, this short captivates with its raw energy and aesthetic power.

Tim Miller

Tim Miller is an American film director and VFX artist, co-founder of Blur Studio. He made his feature debut with Deadpool (2016), co-created the Netflix anthology Love, Death & Robots, and directed Terminator: Dark Fate (2019).
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