Cover of This Mortal Coil Blood
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For fans of this mortal coil, 4ad label lovers, dark-wave enthusiasts, and listeners interested in atmospheric cover albums from the early '90s
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THE REVIEW

Third chapter (and last) of the This Mortal Coil project, a multifaceted entity conceived by the boss of 4AD, Ivo Watts-Russell, that brings together under the same roof the best musicians of his roster, the genuine 4AD, a true label-fetish of a certain dark-wave genre in the mid-'80s.

As with the two previous albums, a large number of cover versions form the backbone of the work, alternating with connecting tracks, mostly instrumental, assembled by Ivo himself and the trusty sound engineer John Fryer.

It is amusing to attempt to trace the numerous threads of the tracks reinterpreted here: but such is the eclecticism that in the end, the effort may prove futile. It ranges from Rodney Crowell's country songwriter "Til I Gain Control Again" to Gene Clark's "With Tomorrow", one of the founders of the Byrds; from the more sophisticated singer-songwriter style ("Late Night" by Syd Barrett or "Several Times" by Pieter Nooten, already with Clan of Xymox, a leading 4AD band) to the Turkish poet Natzim Hikmet who inspires "I Come and Stand at Every Door" on the nuclear Holocaust of Hiroshima, a song recorded by Pete Seeger in 1962 and present, in its most famous version, on the third album by the Byrds.

What actually counts is the stylistic transfiguration these tracks receive within the context of the project: elegant sounds, refined atmospheres and a nocturnal and surreal romanticism constitute the filigree of the uninterrupted 76 minutes of "Blood." The early '80s dark gives way here and there to acoustic guitars, a string quartet, even the garage rock of "I am the Cosmos", but these are episodes, in reality, "Blood" is nothing but the musical transcription of a dilated dream.

With this album, released in 1991 and perhaps slightly inferior to the first two amazing chapters, This Mortal Coil return to the shadow hidden behind the name of the supergroup: a citation from the famous monologue of Hamlet (yes, indeed "To be or not to be") in which Shakespeare evokes "this mortal coil," a metaphor for life.

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Summary by Bot

Blood is the third and final chapter of This Mortal Coil, a 4AD project led by Ivo Watts-Russell. It blends numerous cover versions with instrumental pieces to create an elegant, surreal atmosphere. The album spans a wide range of influences, from country to Turkish poetry, unified by dark-wave aesthetics. Though viewed as slightly less remarkable than its predecessors, Blood remains a sophisticated and dreamy musical journey released in 1991.

Tracklist Lyrics Videos

01   The Lacemaker (04:06)

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02   Mr. Somewhere (02:52)

03   Andialu (03:03)

04   With Tomorrow (02:40)

05   Loose Joints (02:26)

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06   You and Your Sister (03:14)

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07   Nature's Way (03:19)

08   I Come and Stand at Every Door (03:54)

10   Baby Ray Baby (02:13)

11   Several Times (03:12)

12   The Lacemaker II (01:24)

14   Ruddy and Wretched (03:15)

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15   Help Me Lift You Up (05:06)

16   Carolyn's Song (03:47)

17   D.D. and E. (00:47)

18   'Til I Gain Control Again (04:43)

19   Dreams Are Like Water (08:37)

20   I Am the Cosmos (04:05)

21   (Nothing But) Blood (04:04)

This Mortal Coil

This Mortal Coil is a British 4AD project curated by Ivo Watts-Russell with producer John Fryer, active from 1983 to 1991. Featuring a rotating cast from the label (including members of Cocteau Twins, Dead Can Dance, and others), the collective released three albums—It'll End in Tears, Filigree & Shadow, and Blood—blending ethereal covers and atmospheric instrumentals. Their version of Tim Buckley’s Song to the Siren became an enduring touchstone.
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