Probably, Thin Lizzy is the most underrated band in the great rock landscape of the seventies, overshadowed by the quadrumvirate Zeppelin/Purple/Sabbath/Uriah Heep that reigned supreme among the fans of Albion. Yet, this Irish group is of seminal importance for a certain type of music that, between the late '70s and the early '80s, would pave the way for bands like Iron Maiden and Angel Dust. They are almost certainly credited with the first use of twin guitars, the two lead guitars, which would characterize the productions of the aforementioned Maiden, just to give an example.
Led by the immortal Phil Lynott, bassist/singer with Brazilian origins, with Jailbreak they reach the pinnacle of their excellent production. The album opens with the title track characterized by a broken riff as simple as it is engaging, the classic three-chord masterpiece. Then comes "Angel From The Coast", which passes delightfully in its three-minute duration. Without infamy and without praise, "Running Back", which foreshadows the beautiful "Romeo And The Lonely Girl" where all of Lynott's romanticism emerges with his sad yet carefree tone; after "Warriors" comes the band's most famous piece, "The Boys Are Back In Town", I challenge anyone to admit they haven't heard it at least once! 4:27 of pure electricity with the twin guitars highlighted in the final part. After the nostalgic "Fight Or Fall" comes "Cowboy Song", where all Phil Lynott's passion for western movies and the figure of the American pioneers comes vigorously to the fore. Closing in grand style with the superb "Emerald" which deals with the theme of the Irish independence struggles with all its violence and tragedies; here too, apart from the great Lynott, it's the two lead guitars that take center stage with intertwining and decorations that recall the folk/Celtic tradition of Irish traditional music.
A great album for, let me say, A GREAT BAND, precise drumming, a pounding bass, two incendiary guitars, a smooth and nostalgic voice, ladies and gentlemen, THIN LIZZY!!!