Cover of The Standard August
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• Rating:

For fans of the standard, lovers of post-rock, psychedelia, electronic fusion, and listeners seeking fresh pop experimentation
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THE REVIEW

I am now on my fifth listen of August, and I know it's still not enough to form a definitive opinion (it takes years for that), but I have an idea.

It is certainly a meticulously crafted work, and the quality is very satisfying. At least the sound and the way the songs are arranged, not to mention the astonishing use made of keyboards, are something new. There is a strong desire from the Portland, Oregon group to experiment by implementing a fusion of post-rock, psychedelia, and electronic.

But don't be afraid, what emerges is still a pop album full of surprises and enjoyable for those who don't want to hear the same old things. The only noticeable reference might be to Radiohead ("A Year Of Seconds"), and in any case, the band always tries to maintain their own style.

The schizophrenic "The Five-Factor Model" is a must-listen, and "Tree Line," filled with suffering, is chilling.

In general, nine well-crafted tracks.

August could become one of my favorite albums once I've uncovered all its secrets. And then, how can you not buy an album with a cover like that?

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Summary by Bot

The Standard's album August impresses with its meticulous craftsmanship and innovative fusion of post-rock, psychedelia, and electronic music. The album remains accessible as a pop record while offering surprising depth. Standout tracks like "The Five-Factor Model" and "Tree Line" reveal emotional and experimental strengths. The band maintains its unique style despite a slight Radiohead resemblance. Overall, August promises lasting appeal and discovery.

Tracklist

01   A Year of Seconds (03:20)

02   The Five-Factor Model (06:08)

03   Treeline (05:35)

04   Angelicate (03:20)

05   Bell to the Boxer (07:04)

06   Paper (04:09)

07   Behind the Screens (03:20)

08   When Everything Went North (06:29)

09   The Quiet Bar (05:30)

The Standard

A Portland, Oregon group noted in a DeBaser review for blending post-rock, psychedelia and electronic elements into pop-oriented songs.
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