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Post-punk is back, it’s resurrected in all its splendor, and God bless Luis Vasquez, but what am I saying, God doesn’t need to bless him, he is God, from California, and his journey into the Mojave Desert, think about it for a moment: a delirious genius, a guy who went to record practically in Death Valley (it’s not true, but it makes for great drama) and if he didn’t think of some kind of devil, it was the music that drove him crazy. Discover the review
Post-punk is back, it’s resurrected in all its splendor, and God bless Luis Vasquez, but what am I saying, God doesn’t need to bless him, he is God, from California, and his journey into the Mojave Desert, think about it for a moment: a delirious genius, a guy who went to record practically in Death Valley (it’s not true, but it makes for great drama) and if he didn’t think of some kind of devil, it was the music that drove him crazy.
Criminal is, however, contrary to what one might think and what was a certain expression in the past of the dark wave movement during the eighties; instead of being a kind of celebration of this status quo, it’s indeed a true scream. Discover the review
Criminal is, however, contrary to what one might think and what was a certain expression in the past of the dark wave movement during the eighties; instead of being a kind of celebration of this status quo, it’s indeed a true scream.
If Ghostbusters were a B-series horror movie, set in the future with the Twilight cast as ghost hunters, it would undoubtedly have this album as a soundtrack. Discover the review
If Ghostbusters were a B-series horror movie, set in the future with the Twilight cast as ghost hunters, it would undoubtedly have this album as a soundtrack.
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