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Rating: No celebratory reissue, no huge box set with three or more vinyl records stuffed with live recordings or pseudo bootlegs inside. We will not have a book crammed with archive photographs for the thirtieth anniversary of an album that sold more than eleven million copies worldwide.
In the era of streaming, which has forced major labels to find new solutions to move the market, with colored long-playing records and deluxe versions to stretch the soup, there is no proper masquerade party for “Smash”, the third iconic work by the Offspring.
This feels a bit off, but it gives us back that dimension that belonged to the last decade of the old century. A less fleeting and more concrete dimension, where a sold record really had significant weight. It's rumored that Epitaph's father, Brett Gurewitz, already guitarist of Bad Religion, had to mortgage his home to print more copies of “Smash” to meet the mad demand from the public. This speaks to the fortunes of an independent label, the only one to date holding the sales record for a single publication.
Thinking that with two decent albums behind them (The Offspring/Ignition), Dexter Holland was still running errands for the label, Noodles was a janitor at a middle school, Ron Welty a baker, and Greg K a copy shop employee, the prequel of the story takes on cinematic hues. All this after a very demanding tour just completed around America, alongside Pennywise and in the Old Continent with NOFX.
And if the appetite grows with eating... The ingredients were certainly not lacking, nor was the desire to establish themselves and live off their passion, music. The corner of the eye saw the more famous colleagues expand, and time passed quickly. Thus, Dexter and company decided to put soul and body into those fourteen tracks, merging punk, surf, ska sounds, and a lot of youthful rage.
The voice of actor John Mayer (who will also be present in “IXNAY” and “Americana”) opens the dances with the spoken track “Time To Relax”, and from this point forward, it will be pure energy. From the frantic snare of “Nitro”, we move to the madness of “Bad Habit”, conceived by Dexter during long and slow trips in his battered Toyota pickup. A real oxymoron comes to mind during the listening.
“Gotta Get Away” provides a breather, like a good midtempo, then we get back that snare from earlier in “Genocide," which doesn’t hold back from political denunciation: “Dog eat dog, to get by, hope you like my genocide” Holland screams wildly on the refrains. Made of the same stuff is “Something To Believe In”, which has the thankless task of preceding the iconic single par excellence: “Come Out And Play”. Jason McLane, a die-hard fan of the band, was given the chance to make history by delivering the whispered voice of “You Gotta Keep’em Separated," which flows into the oriental riffs that, since that distant 1994, would never leave our heads. This would be the single that contributes to the overwhelming success of “Smash” and provides solutions for the creation of other iconic pieces like “Original Prankster”, “Pretty Fly (For a White Guy)" or “Hit That”. “Self Esteem”, which not by chance occupies the next position, is the second iconic smash hit, albeit slower and more cumbersome. At the middle of the tracklist, the peak is reached, after which it doesn't slow down until the end, except for “What Happened to You”, which pushes us into the ska dimension, making us have fun and flail along to the choruses.
“It’ll Be a Long Time”, “Killboy Powerhead”, “So Alone”, “Not the One”, and the closing eponymous “Smash”, are solely riffs and power. The four from Garden Grove do not want to hide their admiration (and inspiration) towards “Bad Religion”, “Pennywise”, “NOFX”, “Dead Kennedys”, “Social Distortion”, “Black Flag” and they make it clear in words and deeds.
“Smash” is a work that traverses decades, gathering continuous acclaim. It doesn’t hide the traces of time, which it manages to disguise, although it always sounds current. Dexter Holland's shouting voice and nasal timbre, Noodles' riffs that range from punk rock to metal, Greg Kiesel's bass notes, and Ron Welty's incendiary sticks, have given an unrepeatable imprint to a historic and iconic record, arriving on the heels of Kurt Cobain's disappearance, which traumatized the continuity of a genre that was iconic in its own right for the time it represented.
“Smash” is the anthem of a generation and the symbol of 1990s Californian punk, as “Nimrod” was for the illustrious colleagues “Green Day”.
It has already been talked about a lot, it has already been listened to a lot, but apparently, it's never enough.
Because, as they say, the important thing is that it's talked about. But even more important is that it's heard being talked about.
Tracklist Lyrics and Videos
01 Time to Relax (00:25)
Ah, it's time to relax.
You know what that means.
A glass of wine, your favorite easy chair,
And of course, this compact disc
Playing on your home stereo.
So, go on, and indulge yourself!
That's right, kick off your shoes,
Put your feet up!
Lean back and just enjoy the melodies.
After all, music soothes even the savage beast.
02 Nitro (Youth Energy) (02:26)
Our generation sees the world
Not the same as before.
We might as well just throw it all
And live like there's no tomorrow
There's no tomorrow
There's no tomorrow
There's no tomorrow
We are the ones
Who are living under the gun, everyday.
You might be gone before you know.
So live like there's no tomorrow
(ain't gonna waste this life)
There's no tomorrow
(ain't gonna live it for me)
There's no tomorrow
(ain't gonna waste this life)
There's no tomorrow
(ain't gonna live it for me)
Hey, believe it,
the official view of the world has changed
in a whole new way.
Live fast cause if you don't take it
you'll never make it.
So if you understand me
and if you feel the same
Then you will know what nitro means.
You'll live like there's no tomorrow
(ain't gonna waste this life)
there's no tomorrow
(ain't gonna live it for me)
there's no tomorrow
(ain't gonna waste this life)
there's no tomorrow
(ain't gonna live it for me)
There's no tomorrow!
04 Gotta Get Away (03:53)
I'm gettin' edgy
All the time
There's someone around me
Just a step behind
It's kinda scary
The shape I'm in
The walls are shakin'
And they're closing in
Too fast or
A bit too slow
I'm paranoid of people
And it's starting to show
There's one guy that
I can't shake
Over my shoulder
Is a big mistake
Sitting on the bed
Or lying wide awake
There's demons in my head
And it's more than I can take
I think I'm on a roll
But I think it's kinda weak
Sayin' all I know is
I gotta get away from me
I tell you something
Just ain't right
My head is on loose
But my shoes are tight
Avoiding friends 'cause
They all bug
Life is like a riddle
And I'm really stumped
If you reason
Don't you know
Your own preoccupation
Is where you'll go
I think I'm bein' followed
I look around
It's only my shadow
Creepin' on the ground
Sitting on the bed
Or lying wide awake
There's demons in my head
And it's more than I can take
I think I'm on a roll
But I think it's kinda weak
Sayin' all I know is
I gotta get away from me
Gotta get away from me
Gotta get away from me
Whoa-oah-oah, whoa-oah-oah
Whoa-oah-oah, whoa-oah-oah
Sitting on the bed
Or lying wide awake
There's demons in my head
And it's more than I can take
I think I'm on a roll
But I think it's kinda weak
Sayin' all I know is
I gotta get away from me
Gotta get away from me
Gotta get away from me
Gotta get away from me
05 Genocide (03:31)
Our lives run different ways
Through the rain I see you in the sun
Our star shines anyway
If you wish upon it we are one
1,2,3,4
[chorus:]
Dog eat dog
Every day
On our fellow man we prey
Dog eat dog
To get by
Hope you like my genocide
I find it such a shame
Through the pain I see things as they are
We're served up on a plate
The pedestal is high enough to fall
And if in time
We can see the errors of our ways
Would anyone change it anyhow?
Our time is up......
1,2,3,4
[chorus x2]
I bet you'd only run,
If you saw what goes inside our own,
I bet you'd lead the way,
If it were up to you to decide,
But it's not
[chorus x2]
Like a silver flame,
Like a suicide,
Like killing boy,
1,2,3,4!
06 Something to Believe In (03:17)
I believe that reality's gone
Disillusion's real
I believe that morality's gone
And there's nothing to feel
If you take the sacred things
The things that we hold dear
Empty promise is all you'll find
So give me something
Something to believe in
I believe in a changing of the guard
Put our feet on the ground
See it happen in your own backyard
Everything breaks down
Do you accept what you are told
Without even thinking
Throw it all and make your own
And give me something
Something to believe in
Where they lead
You will follow
Well I guess that's just the way it goes
And if you look away
You'll be doing what they say
And if you look alive
You'll be singled out and tried
If you take home anything
Let it be your will to think
The more cynical you become
The better off you'll be
07 Come Out and Play (03:17)
You gotta keep 'em separated
Like the latest fashion
Like a spreading disease
The kids are strappin' on their way to the classroom
Getting weapons with the greatest of ease
The gangs stake their own campus locale
And if they catch you slippin' then it's all over pal
If one guy's colors and the other's don't mix
They're gonna bash it up, bash it up, bash it up, bash it up
Hey - man you talkin' back to me?
Take him out
You gotta keep 'em separated
Hey - man you disrespecting me?
Take him out
You gotta keep 'em separated
Hey they don't pay no mind
If you're under 18 you won't be doing any time
Hey come out and play
By the time you hear the siren
It's already too late
One goes to the morgue and the other to jail
One guy's wasted and the other's a waste
It goes down the same as the thousand before
No one's getting smarter
No one's learning the score
Your never ending spree of death and violence and hate
Is gonna tie your own rope, tie your own rope, tie your own
Hey - man you disrespecting me?
Take him out
You gotta keep 'em separated
Hey - man you talkin' back to me?
Take him out
You gotta keep 'em separated
Hey they don't pay no mind
If you're under 18 you won't be doing any time
Hey come out and play
It goes down the same as the thousand before
No one's getting smarter
No one's learning the score
Your never ending spree of death and violence and hate
Is gonna tie your own rope, tie your own rope, tie your own
Hey - man you talkin' back to me?
Take him out
You gotta keep 'em separated
Hey - man you disrespecting me?
Take him out
You gotta keep 'em separated
Hey they don't pay no mind
If you're under 18 you won't be doin' any time
Hey come out and play
08 Self Esteem (04:17)
La, la, la, la, la, la, la, la
I wrote her off for the tenth time today
And practiced all the things I would say
But she came over, I lost my nerve
I took her back and made her dessert
Now I know I'm being used
That's okay, man, cause I like the abuse
I know she's playing with me
That's ok cause I got no self esteem
Oh, yeah, yeah
Oh, yeah, yeah
Oh, yeah, yeah
Oh, yeah, yeah
We make plans to go out at night
I wait till two then I turn out the light
All this rejection's got me so low
If she keeps it up I just might tell her so
Oh, yeah, yeah
Oh, yeah, yeah
Oh, yeah, yeah
Oh, yeah, yeah
When she's saying that she wants only me
Then I wonder why she sleeps with my friends
When she's saying that I'm like a disease
Then I wonder how much more I can stand
Well I guess, I should stick up for myself
But I really think it's better this way
The more you suffer, the more it shows you really care
Right?
Yeah!
Now I'll relate this a little bit
That happens more than I'd like to admit
Late at night she knocks on my door
She's drunk again and looking to score
Now I know I should say no
But it's kind of hard when she's ready to go
I may be dumb, but I'm not a dweeb
I'm just a sucker with no self esteem
Oh, yeah, yeah
Oh, yeah, yeah
Oh, yeah, yeah
Oh, yeah, yeah
When she's saying that she wants only me
Then I wonder why she sleeps with my friends
When she's saying that I'm like a disease
Then I wonder how much more I can stand
Well I guess, I should stick up for myself
But I really think it's better this way
The more you suffer, the more it shows you really care
Right?
Yeah!
10 Killboy Powerhead (02:02)
He's a pistol grip
And a lightning rod hammer step
He always busts his knukles
When he's wrenchin' up his shit
He's a killboy powerhead.
Killboy powerhead
Killboy powerhead
Yeah.
You know I saw his woman
She was writin' his name in blood
You know i saw his woman
Hard as a rock
She said she was his baby
Who looked just like the hoover dam
You know I saw his woman
Hard as a rock
He's a killboy powerhead
Killboy powerhead
Killboy powerhead
Yeah.
He's a pistol grip
And a lightning rod hammer step
He always busts his knukles
When he's wrenchin' up his shit
He's a killboy powerhead.
Killboy powerhead
Killboy powerhead
Killboy Powerhead yeah
Killboy Powerhead yeah
Killboy Powerhead yeah
11 What Happened to You? (02:12)
What in the world happened to you?
Before you started tokin'
You used to have a brain
But now you don't get even the simplest of the things
I can draw a little picture
Or even use my hands
I try to explain but you just don't understand
[Chorus]
Man you're really losin' it
And you've really done a lot of junk now
But you keep abusin' it
What in the world happened to you
It's bad enough you do it to yourself
But taking someone with you well you know that's something else
I say I'm not that kind of person
I'm not that kind of man
I try to explain but you just don't understand
[Chorus]
Man you're really losin' it
And you've really done a lot of junk now
But you keep abusin' it
What in the world happened to you
[2x]
I might be sympathetic or cut a little slack
If I thought that you were willing to give a little back
But you do it in the morning
You do it in the night
You lie to refrain from just facing your life
So I'll see you man tomorrow
You'll be gackin' up again
I'll see you in a coffin by the time your wad is spent
I think of all the times that I tried to lend a hand
I try to explain but you just don't understand
[Chorus]
Man you're really losin' it
And you've really done a lot of junk now
But you keep abusin' it
What in the world happened to..
What in the world happened to..
What in the world happened to you
12 So Alone (01:17)
Look at the crowd and tell me whether
All are surrounded
But none are together
If you're awake
Look all around at
All of the people
Still you're so alone
So alone
So alone
So alone
So alone
(Yelling)If I could make a suggestion
Without sounding preachy
Or begging the question
Melt with your minds
Melt with each other
Don't be surrounded
Don't be so alone
So alone
So alone
So alone
(KILL)
(FUCK OFF)
(HATE)
(DIE)
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