The Last

American Los Angeles rock band led by Joe Nolte, with Vitus Mataré a notable contributor. Praised for blending 1960s-influenced garage, power-pop and melodic psychedelia; the compilation Painting Smiles on a Dead Man collects earlier material released via the Lolita (Eva Records) label.

From the review: early 45 'She Don't Know Why I'm Here'/'Bombing of London' is mentioned; 1979 is referenced as the year of 'L.A. Explosion'; material was compiled and released as Painting Smiles on a Dead Man by the French label Lolita (under Eva Records). Members named in reviews include Joe Nolte and Vitus Mataré. The band's sound is described as garage, sixties pop, power-pop and psychedelic-leaning.

A positive, nostalgic review of The Last's compilation Painting Smiles on a Dead Man. The review praises the band's blend of 1960s-influenced garage, power-pop and melancholy harmonies. Joe Nolte and Vitus Mataré are highlighted as central figures.

For:Fans of 1960s-influenced garage rock, power-pop, Paisley Underground and the L.A. underground scene.