Cover of Jimi Hendrix Electric Ladyland
Mario

• Rating:

For fans of jimi hendrix,lovers of psychedelic rock,classic rock enthusiasts,guitar players and music students,readers interested in rock music history
 Share

THE REVIEW

Sure, many might not agree, asserting that the first, the experience, is Hendrix's greatest auditory experience, absolutely agree: but where does the genius find the expansion that truly befits him? Answer: in "Electric Ladyland".

"Electric Ladyland" came out in '68, but even by that time Hendrix was traveling towards infinite space, drugs were taking him down, and this is the definitive testament of the genius. The taste for a certain Caribbean flavor mixed with acid ula-hop parties must have gone to Hendrix's head as he increasingly tried to move away from the debut towards those infinite spaces. Hendrix himself said he could no longer hear guitar music and that he heard that music in his head, and if he picked up a guitar, the whole thing crumbled for him. The pieces are expanded, the vision for the song itself vanishes, and the dance that dazes and hypnotizes takes form, "Voodoo Chile" lasts 15 minutes, for example, with a robust organ that even surpasses the guitar.

It is electric church music that shocks, here we are already beyond the extreme boundaries of the Blues, the stellar Blues here expands into the perception of the listener, a total Sound inspired by the timeless abysses of space and ocean, psychedelia from the distant future that ignites the Dylan-like landscape of "All Along the Watchtower" and unleashes the cosmic dance of the senses in the incandescent wind of "Voodoo Chile," a piece that, after listening to it, reveals two things to you, first that beyond this piece Hendrix could never have gone, second, that while Hendrix's distorted slashes on "Voodoo Chile" close the album you might as well close your life with a shot to the head from a .44 Magnum because you won't hear anything better on an electric guitar.

Loading comments  slowly

Summary by Bot

This review praises Jimi Hendrix’s 1968 album Electric Ladyland as the pinnacle of his musical genius and psychedelic exploration. It highlights the album’s expansion beyond traditional guitar music into cosmic and hypnotic soundscapes. Notable tracks like 'Voodoo Chile' and 'All Along the Watchtower' showcase Hendrix's innovative approach. The review acknowledges Hendrix’s struggles but focuses on the album’s groundbreaking artistry.

Tracklist Lyrics Videos

01   ...and the Gods Made Love (01:23)

02   Have You Ever Been (to Electric Ladyland) (02:11)

Read lyrics

03   Crosstown Traffic (02:27)

Read lyrics

04   Voodoo Chile (15:00)

05   Little Miss Strange (02:52)

06   Long Hot Summer Night (03:28)

Read lyrics

07   Come On (Let the Good Times Roll) (04:10)

Read lyrics

09   Burning of the Midnight Lamp (03:40)

Read lyrics

10   Rainy Day, Dream Away (03:43)

11   1983... (A Merman I Should Turn to Be) (13:46)

Read lyrics

12   Moon, Turn the Tides... gently gently away (01:02)

13   Still Raining, Still Dreaming (04:26)

Read lyrics

14   House Burning Down (04:33)

15   All Along the Watchtower (04:01)

16   Voodoo Child (Slight Return) (05:13)

The Jimi Hendrix Experience

The Jimi Hendrix Experience was a rock power trio led by guitarist and singer Jimi Hendrix, best known for redefining electric-guitar sounds and stagecraft in the late 1960s. The classic lineup featured Noel Redding (bass) and Mitch Mitchell (drums), releasing three landmark studio albums before dissolving.
18 Reviews

Other reviews

By Lor444

 His defiance of genres; and it is precisely in this album... that his personality is reflected.

 An epochal album that lays bare Hendrix’s true soul: that creativity that eludes every scheme.


By woodstock

 Those notes seem to have been etched onto a tombstone by gods making love.

 This magnificent art gallery is nothing but Psychedelia, a manifestation of the soul.


By TraumaCronico

 Magic. Hendrix was magic, above all else.

 Electric Ladyland could be considered Hendrix's Blonde on Blonde, the ultimate musical testament of a genius.


By claudio carpentieri

 The prolonged sessions had the primary objective (successfully achieved!) of researching and ultimately recording a pretentious combination of psychedelia, blues, and a vigorous sonic expressiveness to seal it all.

 Voodoo Chile as a delectable jam session that leaves Hendrix an infinite freedom of creation-expression through his gleaming Stratocaster, presenting himself as the Van Gogh of the seven notes.