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THE REVIEW
The Horrors return with the album "Night Life", marking a twenty-year, unconventional journey in the indie rock/dance-punk scene of the 2000s. Born with a distinctive horrific punk sound (reminiscent of the Ramones), the band surprised critics and audiences alike with the successive "Primary Colours" and "Skying", shifting towards psychedelia and shoegaze.
After a break and eight years since their last LP, "Night Life" arrives with a renewed lineup: Faris Badwan, Rhys Webb, and Joshua Third are joined by drummer Jordan Cobb and keyboardist Millie Kidd to inject new energy. The record focuses on a coherent yet fresh sound, less rock and more oriented towards electronics, drum'n'bass, and trance sessions.
The opener "Ariel" is significant: powerful bass, rhythmic drumming, and synthesizers. The work features "acidic" tracks ("Silent Sister", "Trial by Fire") and remarkable sessions like "Lotus Eater" and "More Than Life". Despite the debatable ending ("LA Runaway"), this comeback signals newfound stability and creativity.
Unlike their more mainstream peers, The Horrors have never sought easy success, instead favoring a consistently original approach. "Night Life" is a solid album that celebrates their twentieth anniversary, reclaiming a strong and innovative sonic identity. Welcome back.
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Summary by Bot
The review of 'Night Life' by The Horrors offers a balanced assessment, pointing out both strengths and weaknesses. The album receives an average rating of 3 out of 5. The critic evaluates the band's unique approach and musical evolution. There is appreciation for specific sounds, but reservations about certain aspects. Overall, the review provides a nuanced perspective.Tracklist
The Horrors
The Horrors are a British rock band formed in 2005, known for evolving from garage-punk beginnings (Strange House) to shoegaze/post‑punk textures (Primary Colours, Skying), and later explorations on Luminous and V.05 Reviews
