Cover of The Harpeth Trace On Disappearing
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For fans of the harpeth trace, lovers of dreamy psycho folk and psychedelic music, and listeners who enjoy atmospheric, reverb-rich soundscapes
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THE REVIEW

A sweet obsession.

"On Disappearing", a ticket for a dreamy psycho folk journey.

Melancholy, reverbs, tremors, silences, music "on disappearing".

A reverb-laden guitar, hinted feedback, a dreamy voice supported by a delicate keyboard brings to mind distant memories of bucolic Pink Floyd in "Summer Two Weeks" and "Better Mr. Green"

Galaxie 500 around a bonfire in the Mojave desert in "Who Knows Where You Are". Long shadows and whispered phrases

Neil Young in an R.E.M. phase. Elusive shapes of dreams forgotten upon waking.

Music suspended in a temporal limbo, late 60s and early 2000s psycho dream pop, with a faint hint of spices dear to Anton Newcombe.

Great credit to producer Raymond Richard, skilled in the craft with the Brian Jonestown Massacre, who succeeded in focusing otherwise grainy images, contributing to the creation of great psychedelic impressions.

A sweet obsession.

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Summary by Bot

The Harpeth Trace's 'On Disappearing' is a richly textured psycho folk album filled with reverb-heavy guitars and dreamy vocals. The music evokes nostalgic psychedelic atmospheres reminiscent of Pink Floyd and Galaxie 500. Producer Raymond Richards enhances the sound with his expert touch, creating vivid, immersive sonic landscapes. This album is a sweet obsession for fans of dreamy and psychedelic folk.

The Harpeth Trace


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