Cover of The Fratellis Costello Music
GrantNicholas

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For fans of indie rock and britpop, followers of the fratellis, listeners who enjoy energetic pop-rock blends, music lovers of early 2000s british bands.
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THE REVIEW

The franzferdinian orgy of "Henrietta" opens the debut of yet another "next big thing" launched by the farsighted (sometimes, eh!) English record producers, the The Fratellis. The disc is called "Costello Music", and the awkward comparisons stop immediately in front of the fact that the Costello in question is not the one that immediately jumped to your minds (the one from "She", just to be clear), but rather a character from the movie "Still Crazy".

We've already mentioned "Henrietta", and the album continues by immediately firing the other three hit singles ("Flathead", which lives on the balance between the calm of the verse and the storm of the refrain, the melancholic "Whistle For The Choir" and the well-known and very carefree "Chelsea Dagger" - who doesn't know the now overused chorus "pararà-pararà-pararararararà") and continues by presenting a kaleidoscope of colors and influences so wide and varied as to make the most hyperactive Blur blush (we go from the unlikely head-on collision Damon Albarn/Pete Doherty+Carl Barat of "For The Girl" to the drumming "Creeping Up The Backstairs", which initially crosses Babyshambles latitudes to proceed as a true britpop orgy).

There are some frankly avoidable episodes (the incomprehensible midtempo "Doginabag" which moreover unwarrantedly breaks the rhythm of the album, or "Ole Black'n' Blue Eyes", really too much Graham Coxon), but it is promptly uplifted by truly pleasant and surprisingly vibrant melodies (the American-influenced "Baby Fratelli" is Oscar-worthy).

Blur, Supergrass, Franz Ferdinand, Libertines, Arctic Monkeys, and the list goes on. The flaw is obviously that such a stew of influences and counter-influences can confuse, or at worst even annoy.

So between la-la-la, pararà, and turutù, if you are looking for half an hour of lighthearted and irreverent pop, make yourselves at home with these little Scots (produced by Tony Hoffer - Beck, but also Air and Supergrass, no less-).

Otherwise, steer clear, folks. You risk a serious attack of excessive merriment.

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Summary by Bot

The Fratellis' debut album Costello Music delivers a vibrant, lighthearted blend of indie rock and britpop influences. Hit singles like 'Henrietta', 'Chelsea Dagger', and 'Whistle For The Choir' showcase catchy melodies and energetic rhythms. While a few tracks disrupt the album's flow, the overall experience is lively and enjoyable. Tony Hoffer’s production adds polish, making the album a fun, spirited listen for fans of upbeat pop-rock.

Tracklist Lyrics Videos

03   Cuntry Boys & City Girls (03:31)

04   Whistle for the Choir (03:35)

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05   Chelsea Dagger (03:35)

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06   For the Girl (02:48)

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08   Creepin Up the Backstairs (03:07)

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09   Vince the Loveable Stoner (03:14)

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10   Everybody Knows You Cried Last Night (03:54)

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11   Baby Fratelli (03:56)

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12   Got Ma Nuts From a Hippy (03:11)

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13   Ole Black 'n' Blue Eyes (03:16)

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The Fratellis

Scottish indie rock band from Glasgow, formed in 2005. Broke through with Costello Music (2006) and the hit single Chelsea Dagger. After a 2009 hiatus, they reunited in 2012 and continued with We Need Medicine (2013), Eyes Wide, Tongue Tied (2015), In Your Own Sweet Time (2018) and Half Drunk Under A Full Moon (2021).
06 Reviews

Other reviews

By expresuntuoso

 This is undoubtedly music made with Legos!

 They play really well and the lyrics poetically convey the confusion of the contemporary world.