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THE REVIEW
It is the stench of decay that dominates this album. The Canadian band The End, in 2003 carried on their mood of classic math-core matrix with this 'Within Dividia', the successor to the debut EP 'Transfer Trachea Reverberations from Point: False Omniscent' which, with its blind fury, had raised high hopes.
And this album adds, in addition to the production of Pierre Rémilliard, introspective moments and evocative instrumental expansions (as in "The Sense of Reverence", prelude to the next track "the scent of Elegance" and the long agony of "Orthodox Unparalleled") ready to burst into disturbing, fragmented, "square", fast riffs filled with thrash, hardcore and grind fury reminiscences reworked like the pioneers Botch, Dillinger, and Converge. What doesn’t fully convince is the drums, which sometimes seem to really disappear under the wall of sound that is created in "Organelle" and "Dear martyr", and it's not at all impactful as in the open track "These Walls" and the following "Fetesque" or in the concluding "of Fist and Flame".
A pleasant album this 'Within Dividia', certainly derived from projects related to the same musical current but nevertheless fascinating in its entirety and absolutely enjoyable.
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Summary by Bot
The End's 2003 album Within Dividia continues their aggressive math-core style with intense riffs and evocative instrumental passages. While the drum mix is occasionally overshadowed, the album remains fascinating and enjoyable, blending thrash, hardcore, and grind influences. Produced by Pierre Rémilliard, it showcases a complex and introspective sound that fans of the genre will appreciate.Tracklist Videos
The End
Canadian math-core band discussed in DeBaser reviews for the albums Within Dividia and Elementary; reviews mention vocalist Wolff and production by Pierre Rémilliard.02 Reviews
