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THE REVIEW
In a period when the "new wave" was at its peak, Vincent Reilly from Manchester, hiding behind the pseudonym Durutti Column, coined a language of rare elegance. Inspired by the ambient music of Fripp and Eno, he brought his guitar to the forefront, peppering his excursions with subtle electronic background noises. The result was an ambient-guitar of great allure, not due to mantra-like drones as would happen in the '90s, but thanks to a refined touch, capable of underpinning splendid impressionistic frescoes, with an unmistakable, evocative, and twilight sound that seems to mimic expanses of shining diamonds.
This first work of his remains unforgettable, austere chamber music, marked by the sobriety of the arrangements, but not cold, quite the opposite indeed. His melodic counterpoints emanate a delicate romanticism, thanks to folk influences and Latin inspirations, perfectly blending in his nine sketches. The percussion, present with discretion, further enhances the exotic designs, perfect in rhythmizing the sharp guitar notes.
In short, an original work, not very much in line with its period of origin, that deserves to be considered with attention.
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Summary by Bot
Durutti Column's debut album stands out in the 1980s new wave scene with elegant ambient guitar art inspired by Fripp and Eno. The album blends subtle electronics, folk, and Latin rhythms. Its refined, impressionistic sound evokes romanticism and austere chamber music rather than the drone-heavy style of later decades. The percussion adds subtle exotic touches, enhancing the distinct atmosphere of the nine tracks. Overall, it is a unique and captivating musical work deserving close attention.Tracklist Videos
