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❝ Sea Of Cowards convinced me because in just a few minutes (more than thirty) it reaches the goal of offering you a good magma made of crystallized defiance and dandyism, essentially resulting in a sly album: certainly, whatever one might say, popular (I think it has good sales potential) but it is never played stupidly or sordidly crafted at the drawing board.
❝ "Horehound" is not a masterpiece, but it carries its 3 and a half stars, rounded up to 4, home in the first place because White is too skilled at turning the usual garage blues on its head, which he does very well, then because Mosshart has a wonderfully sensual voice, blues/post-punk, very, very interesting, and finally because there are strange arrangements, like tracks that turn DUB when you least expect it.
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