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THE REVIEW
WARNING: To avoid misunderstandings, I want to clarify that this review does not refer to the compilation "Super Black Market Clash," but to the original extended-play edition released in 1980.
The Clash is often seen as the classic "dirty and rude" punks (too disrespectful for them), or as refined minds of sound and experimentalism (oh, please!!). In reality, we are talking about four guys full of energy and creativity who have always sought to break free from the reputation of mere provocateurs, demonstrating to the whole world the versatility of their music (and thus their superiority over the Sex Pistols). A bit snubbed and a bit overrated, the Clash was one of the most important bands of the punk era; unfortunately, they haven't always shown us the simplest and most spontaneous side of their art (just think of the ambitious sounds of "London Calling" and "Sandinista," versus the essentiality of the great debut album). "Black Market Clash" (which I discovered rummaging through my uncle's 10-inch records) is a very interesting collection of songs recorded between 1977 and 1980, unique in its own simplicity and independence from the musical trends of the time. The only musical influences present in the tracks (namely punk and reggae) are the original strains of the Clash's musical culture: free from the horns of "London Calling" and the relative pretentiousness of "Sandinista," the sound is bare, the arrangement is essential, there is nothing (except in particular cases) beyond the guitars, bass, and drums.
The energy of "Clash City Rockers" is found in the explosive "Capital Radio One"; Strummer's shout, the incisiveness of Jones once again create the typical Clash sound. On one hand, we have the old Joe barking at the world, on the other, Mick offers us delicate/distorted melodies in late '70s style (the splendid "The Prisoner" recalls the unforgettable "Remote Control"). "Pressure Drop" is yet another tribute by the band to the ska movement. The frenzy of "Cheat" and "City Of The Dead", the delicacy of "Time Is Tight" close the first side. Side 2 is pure reggae: the long medleys of "Bankrobber/Robber Dub" and "Justice/Kick It Over" and "Armagideon Time" display one of the most genuine sides of their music.
Although the group's more "sophisticated" albums are also the best works, "Black Market Clash" remains half fundamental in their career, the other half a mere curiosity.
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Summary by Bot
This review highlights The Clash's 1980 EP Black Market Clash, emphasizing its raw and simple sound free from later album complexities. Showcasing punk and reggae roots, it captures the band’s genuine energy and creativity. The reviewer values the EP’s directness over the ambitious styles of London Calling and Sandinista, calling it a fundamental and unique part of The Clash’s career.Tracklist Lyrics Videos
The Clash
English punk rock band formed in London in 1976. Core lineup included Joe Strummer, Mick Jones, Paul Simonon and Topper Headon. Influential for blending punk with reggae, rockabilly, funk and early rap; disbanded mid-1980s.35 Reviews
Other reviews
By claudio carpentieri
"The mini collection in question presents us with b-sides and rare tracks, necessary outlets for a band great in its own way."
"An irrepressible passion of Joe Strummer and Mick Jones for the state of liberation they found in Caribbean sounds."
