Cover of The Cardigans Long Gone Before Daylight
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For fans of the cardigans,lovers of indie and acoustic rock,listeners who enjoy melancholic and nostalgic music,followers of nina persson’s vocals,people seeking introspective and emotional albums
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THE REVIEW

Do you know those CDs that you play in the stereo the night before falling asleep, before daydreaming, and before dreaming? Well, "Long Gone Before Daylight" is one of those.

Five years after the good "Gran Turismo," the Cardigans release their new work, but we immediately feel that something has changed. After participating in an external project with Mark Linkous (Mr. Sparklehorse), Nina Persson heads towards a more guitar-driven sound: less electric and more acoustic. It's impossible not to fall in love (with her and) with her voice; impossible not to fall in love with her(?) sweet and profound lyrics that echo splendid ballads...

"Oh, my heart can't carry much more, It's really, really aching and sore, My heart don't care anymore, I really can't bear more… My hands don't work like before, I shiver and I scrape at your door, My heart can't carry much more... But you couldn't care less, could you?”

We breathe a wintery air, at times nostalgic, melancholic; it's a pity that not all the songs are like "Communication," "For What It’s Worth," or "Couldn’t Care Less"…

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Summary by Bot

Long Gone Before Daylight marks a notable change for The Cardigans, with Nina Persson embracing a more acoustic, guitar-driven sound. The album evokes feelings of nostalgia and melancholy, showcased in heartfelt lyrics and captivating ballads. While not all tracks maintain the same impact, standout songs like "Communication" and "Couldn’t Care Less" truly shine. This album is perfect for late-night listening and introspective moods.

Tracklist Lyrics

01   If There Is a Chance (04:13)

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The Cardigans

Swedish band formed in 1992 in Jönköping, fronted by Nina Persson with Peter Svensson, Magnus Sveningsson, Bengt Lagerberg, and Lars-Olof Johansson. Known for the worldwide hit Lovefool and the darker, electronic-leaning Gran Turismo, later shifting to acoustic textures on Long Gone Before Daylight and a punchier rock feel on Super Extra Gravity.
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