One morning Paul wakes up. He fumbles his way to the piano and lays his hands on the keys. He has this thing in mind⌠âScrambled eggs⌠all my troubles seem so far awayâŚâ Paul closes the piano: scrambled eggs⌠what nonsense⌠But the melody doesn't go away⌠(he would later say that some things are born perfect like an egg: without a crack, without an imperfectionâŚ)
Well, we like to think that what is perhaps the most famous song in the world, âYesterdayâ, was born just like that. A bit by chance. Sure, it was morning, sure, scrambled eggs were involved, but everything else was magic. Many legends have also flourished around this song, one of the most credited ones, even attributed to George Martin, claims that Paul composed the song in January 1964. If true, this absolute masterpiece would have been discarded from two albums to end up only at the last moment in a third one (this âHelp!â). It is nonetheless true that McCartney couldn't convince himself that he was the real âfatherâ of the song: he was playing it to everyone, incredulous that such a⌠perfect melody hadn't already been composed by someone else: he feared having copied it unknowingly.
In any case, the song was recorded on the evening of June 14, 1964, after Paul had spent the entire day straining his voice (another curious fact) on âIâm Downâ (B-side of the âHelp!â single). Among the many recorded versions, the one performed with a string quartet was finally chosen, not without great resistance from Paul. George Martin had in mind this string quartet thing from the very start, but Paul wasnât interested: he didnât want anything âlike Mantovaniâ. In the end, he was convinced. Thank God.
But it must be said that Martinâs intuition wasn't the only one: in Beatlesâ musical history, songs were certainly written by John, Paul, George, and (a few) by Ringo, but almost all the genius moves during arrangement are owed to the âFifth Beatleâ. Itâs entirely his credit if often what was simply a âgood songâ became something immortal.
Returning to the album, âHelp!â doesnât only feature âYesterdayâ (though for many that alone would be more than enough to justify its price): the album was the soundtrack of the Beatles' second film, but it had little to do with the film itself (to which the Beatles, incidentally, gave no creative contribution, lending practically only their presence), instead it was a collection of really good tracks. Some were excellent: obviously the mentioned âYesterdayâ (not included in the film), âHelp!â (which in Johnâs intentions, who wrote it, was supposed to be a ballad, but was rearranged in a fast pop style and worked out great), âTicket to Rideâ one of the best tracks from this period of the group. And then âYouâve got to hide awayâ, âThe Night Beforeâ, âI Need Youâ, âAct Naturallyâ and even the cover of âDizzy Miss Lizzyâ⌠these were more than good tracks, but, compared to âYesterdayâ....
The first interesting signs of sophistication emerge, and the first musical history standards are born.
'Yesterday' â the song that would become more famous over the years and at the time was not even considered worthy of a single.
In that song, I was literally crying out for help. Look at me in the images of the time and in the film: I was fat, insecure, and I had completely lost myself.
This record could certainly have been better than it is.