Cover of The Ataris So Long Astoria
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For fans of punk rock, listeners of emo-punk and alternative rock, music critics, and those interested in album reviews and punk authenticity debates.
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THE REVIEW

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After selling tons of copies and exhausting the whole world with exasperatingly long tours, here are our four young champions of the losers back on track with a brand new album on a major label. Let's get it out of the way: this "So Long, Astoria" sucks.

Incredible but true, this is the worst work the Ataris have ever published (and that's saying something) so far: even the bubble-punk patina and some very weak incursions into emo-core are gone, leaving only pounds of syrupy and sugary melodies for fourteen-year-old lovers full of pimples and who have absolutely no idea what punk is.
Before talking about the album, one should reflect and understand why the Ataris are considered "more punk" than the likes of Blink, Sum 41, and the rest; compared to them, the mentioned ones seem like Dillinger Escape Plan. "So Long, Astoria", starting with the title-track that opens the album, is the most stupid, useless, and flat thing that the "alternative" music market can offer now. As already mentioned, the pace halves compared to the previous "End Is Forever" (which in the end wasn't so bad), so the quartet gives us as many as thirteen "similar ballads" all the same and very boring where it's hard to find any track (or even a single) that saves the work from disaster.

"In this diary" and "My reply" seem like leftovers from the previous work, while episodes like "Radio #2" or the deadly "Looking back on today" seem made to remind the audience that they play "emo-punk" (in a broad sense, of course). But please… bands that fool people like this should be banned from the Planet and prohibited from recording any more albums; unfortunately, however, they will sell thousands of copies and will continue for a long time to numb idiotic kids who will claim to be punk just because they steal Coca-Cola with their little girlfriend.
The only hope is that they vanish like a fart in the vast music market without leaving a trace, even if once again the big market of trash music has won over those who sweat to release good original albums played with heart or at least sincerely. Surely, after listening to this stuff four times in a row, I think I'll never set foot in Astoria by mistake.

Now I'll go play a nice album by Anal Cunt which, after 57 minutes of this stuff, I definitely need it.

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Summary by Bot

The review harshly criticizes The Ataris' 'So Long Astoria' as their worst album to date, lacking true punk elements and filled with overly sugary melodies. It describes the album as boring, with slow pacing and ballads that fail to engage. The reviewer expresses disappointment and frustration, doubting the band's future relevance and lamenting the success of what they call 'trash music.'

Tracklist Lyrics Videos

01   So Long, Astoria (03:22)

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02   Takeoffs and Landings (03:53)

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03   In This Diary (03:50)

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05   Unopened Letter to the World (02:39)

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06   The Saddest Song (04:15)

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07   Summer '79 (03:58)

08   The Hero Dies in This One (04:06)

09   All You Can Ever Learn Is What You Already Know (03:32)

10   The Boys of Summer (04:18)

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11   Radio #2 (03:27)

12   Looking Back on Today (03:54)

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13   Eight of Nine (03:55)

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14   I Won't Spend Another Night Alone (03:49)

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15   The Saddest Song (acoustic) (04:09)

The Ataris

American pop‑punk band formed in 1996 and led by singer‑guitarist Kris Roe. Broke through with So Long, Astoria (2003) on Columbia, known for the single In This Diary and their cover of The Boys of Summer. Later pursued darker, indie‑leaning sounds on Welcome the Night (2007) after significant line‑up changes.
04 Reviews

Other reviews

By Taurus

 "We are faced with a work that is really boring... they lack energy and episodes that excite us."

 "The calmest, most introspective, and most thoughtful album of the Ataris' production."