Terry Riley (born June 24, 1935 in Colfax, California) is an American composer and a pioneer of musical minimalism, known for works such as In C and A Rainbow in Curved Air.

Pioneered tape-delay and tape-loop techniques in live performance; used studio overdubbing extensively (A Rainbow in Curved Air); composed In C (1964), a foundational minimalist work; explored just intonation in piano works (The Harp of New Albion); influenced rock and experimental musicians.

Reviews present Terry Riley as a pioneer of American minimalism and the 1960s avant-garde. Recurring themes include tape-delay techniques, studio overdubbing, improvisation, and experiments with just intonation. Key works discussed are In C, A Rainbow in Curved Air, Persian Surgery Dervishes, and The Harp of New Albion. Reviewers note Riley's influence on rock and experimental artists.

For:Listeners of experimental/minimal music, students and composers interested in avant-garde techniques, fans of electronic and improvisatory music.

 Considered the leader of the American "musical school" of "minimalism", Terry Riley is a figure more closely aligned with the avant-garde than with "minimal music"; if one wished to delve deeper, perhaps the only true "minimalist" of the "score" was La Monte Young.

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 "In C" is considered the first piece of minimalist music, the one that would give rise to a stylistic current, minimalism, which had some American composers as its pioneers: besides Terry Riley, Steve Reich, Philip Glass, and John Adams among the major ones.

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 In the early 1980s, inspired by La Monte Young's 'Well Tuned Piano', Riley conceived a work for piano 'in just intonation', meaning tuned according to natural intonation (based on the natural succession of harmonics), invented in Greek times but theorized and applied starting from the mid-1500s.

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