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One of the most iconic images of the glorious Sub Pop era we remember well: Tad Doyle in a wet white t-shirt, displaying all the lard and hair on his chest, and the word LOSER dominating, wonderfully summarizing the aesthetic of a decade of indie rock. Discover the review
One of the most iconic images of the glorious Sub Pop era we remember well: Tad Doyle in a wet white t-shirt, displaying all the lard and hair on his chest, and the word LOSER dominating, wonderfully summarizing the aesthetic of a decade of indie rock.
What the fuck are you staring at? I’m fat and clumsy and I play with a Jazzmaster (I’ve put a humbucking at the bridge) with some nice heavy distortions. I’m fat and clumsy and I don’t give a damn. My music is like me: heavy, exasperated, filthy. You probably don’t know my band, TAD, for which all the best underground producers have moved [and when I say all and the best - Steve Albini, Jack Endino, Butch Vig, J Mascis - I’m not kidding]. Discover the review
What the fuck are you staring at? I’m fat and clumsy and I play with a Jazzmaster (I’ve put a humbucking at the bridge) with some nice heavy distortions. I’m fat and clumsy and I don’t give a damn. My music is like me: heavy, exasperated, filthy. You probably don’t know my band, TAD, for which all the best underground producers have moved [and when I say all and the best - Steve Albini, Jack Endino, Butch Vig, J Mascis - I’m not kidding].
Two tracks, just over six minutes. Yet such a short span contains more than entire albums, if not entire useless discographies. Discover the review
Two tracks, just over six minutes. Yet such a short span contains more than entire albums, if not entire useless discographies.
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