Sun Araw
Heavy Deeds

Sun Araw is one who has seen the light. The Not Not Fun is the light itself, probably. Today, the great Indies no longer exist; rather, there are many small sectorial realities or, on the contrary, all-encompassing ones. However, Not Not Fun takes the legacy of the independent powers of the Eighties (embracing that attitude, working on scouting, creating an unmistakable aesthetic to refer to, beyond the offer itself) and contextualizes them in a universe of references as broad as possible, even in terms of attitude, constructing an increasingly monstrous roster sublimated by releases completely on point like Umberto, LA Vampires, High Wolf. Sun Araw, if you will, is the phenomenal player, the number ten of this microcosm.

In "Heavy Deeds", even more so than in "Beach Head", the proposition goes further. The jams move from the beach to space, Dub is shredded into cosmic synthesizer drifts, Stallones' guitar has an increasingly personal approach, divided between acid and Funk riffs and echoes that evoke heroin under the palms of Saturn. It’s a kaleidoscopic drunkenness, the ideal of canonical and retro Psychedelia, but at the same time played by someone gifted with the third eye.

Superior awareness, therefore, and retrofuturism.