From Canada with Love.
The Sum get back on track with this album titled "Chuck," an album that's mature, powerful, and moving right from the dedication. "Chuck" is, in fact, Pelletier, a "Save The Children" volunteer who, while in the Democratic Republic of the Congo with the 4 Sum for a documentary, saved 40 innocent souls from a guerrilla attack, including our 4 punk-rockers.
But let's take the bull by the horns. The album opens with "Intro," a short piece of guitars that paves the way for "No Reason," a fairly fast and energetic track. It is followed by "We Are All To Blame," very similar to the former but at times slower and "melancholic" in my opinion, a song/key pillar of the CD. In "Angels With Dirty Faces" it starts very slowly with the voice sounding saddened, only to unleash in the coming minutes all the skill and energy that Biz and co. know how to convey. "Some Say" is a song with a particular text, also particularly catchy and particularly beautiful (pardon the pun). "The Bitter End" on the other hand is a thrash-influenced track by Metallica, reminiscent of "Battery" at some points, and it's also the song where a small solo on the 6-string is attempted. "Open Your Eyes" is also catchy and is characterized by Stevo's drumming work, very adept with the cymbals (and not only that).
"Road to Slipping Away" is the most "calm" song on the CD where there is also the presence of violins (I believe they're violins, apologies if I'm wrong!). "I’m Not The One," just to mention, takes inspiration from the first 3 songs, equally beautiful nonetheless. "Welcome to Hell" is the most punk-rock and energetic track. The next "Pieces" and "There's No Solution" are very similar, slow in the verses and with guitar riffs in the choruses. The last track is "88" which is worthy of closing this 2004 vintage CD.
Conclusion: a great CD, the Sum have matured a lot since the times of "Does This Look Infected?", mentally but especially musically. For all punk lovers and not, myself included.
"The fourth album by Sum 41 is something that detaches from previous productions, as the cheerful and light pieces disappear to make room for a more powerful and mature sound."
‘‘Sum 41 did it towards metal. How many pop-punk bands have veered towards metal? I’d say none, and this fact alone is enough."
This album is a mix of punk rock, rock, and metal. When have you ever heard of a band starting with pop punk and then turning to punk rock and metal? I would say none...
The final assessment is definitely positive—a punk rock and metal turn, with much more aggressive and convincing songs, and of course, the ballads, which didn’t even have a trace in previous works.