Cover of Stefano Mannucci Il suono del secolo
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For fans of music history, blues enthusiasts, rock and roll lovers, readers interested in legendary musicians and iconic festivals.
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LA RECENSIONE

I invite Massi, already the drummer of my biker band Verde Fastidio, to dinner at my place.
'What should I bring'
'Bring hunger and thirst because I got 10 Poretti'
Instead, he shows up with a book.
The Sound of the Century.
The cover reminds me of the Beatles, but the first chapter is set in the USA, it's August 1938.
Robert Johnson continues to drink from open whiskey bottles and Sonny Boy Williamson gets pissed at him.
'This is going to end badly' but Robert had his eyes and hands on the wife of the Three Forks club owner. And he kept trying with dirty and vulgar jokes. In the end, in an open bottle offered by the bartender, the greatest Blues guitarist dies poisoned after days of agony.
He was 27 years old and was the founder of the 27 Club, closely followed by the other damned Jimi, Jim, Brian, Janis...
Robert, a boot at playing, who at a crossroads of a Mississippi town, the classic crossroad, sells his soul to the devil to learn to play the guitar.
What did the devil want in return? Simple. His soul.
The second chapter is set in Woodstock. The festival’s lineup had a disastrous start. John Lennon, to play, demanded the Plastic Ono Band which no one cared about. Jim Morrison had his legal troubles after exposing himself to the public and therefore no Woodstock. Dylan says his son is sick (?), the Zeppelin are on tour in the USA, Jethro Tull hate the hippies, Frank Zappa declines, the Byrds, Procol Harum, Chuck Berry, all for one reason or another don't go.
Despite this, ticket sales took off and the rest is history.
Good. I continue reading this book. Happy holidays to all of you.

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Summary by Bot

The review explores Stefano Mannucci’s book 'Il suono del secolo', which recounts pivotal moments in music history with vivid storytelling. From Robert Johnson’s tragic blues tale to Woodstock’s chaotic beginnings, the review highlights the author's engaging narrative style. The reader is drawn into a compelling mix of myth, legend, and fact that celebrates influential musicians and events.

Stefano Mannucci


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