Genre: Brit Pop
While in Britain the Blue and Oasis were battling it out with binge drinking, one of the most particular phenomena of Brit-pop was born, I’m talking about Starsailor.
The band's debut album is a fantastic album, made of good music, with compelling lyrics, it’s an LP made with heart.
Even the first notes of the album present a notable melancholy, that melancholy that arrives on a rainy winter’s day, the kind of melancholy that cradles the soul, transporting it to another dimension. The themes addressed are those of a simple band coming from the province: love, family, loss, great losses, casual encounters; in essence, Starsailor presents their microcosm which ultimately coincides with the macrocosm.
The first single released is "Good Souls," in which the frontman, James Walsh, openly thanks goodness for sending good souls to the earth; "Alcoholic" on the other hand, despite dealing with the theme of alcoholism, doesn’t appear as false rhetoric, but as a slice of life devoid of any kind of recrimination. "Tie up my hands" is one of the best tracks, being engaging and compelling; the lyrics indeed speak of a difficult love and the desperate search for an answer regarding this story.
From the first notes, the listener is captivated by the melodies, those melodies that despite refusals and problems never renounce the strength of love, the pivot of existence. Listening to this album reconciles one with the world, with the entire universe precisely because there is a great certainty: love is here.
"'Love Is Here' is instead a masterpiece without mincing words, without labels, a record where styles mingle but the sounds never muddy."
"The emotions are already at a thousand, yet the level never drops throughout the album."
'Love is Here' reaches truly extraordinary heights of expressive objectification.
The usual initial arpeggio opens a world of desperate nostalgia, it seems like being in a Renoir painting, made of gardens and children playing.