Spectrum
Soul Kiss (Glide Divine)

LA RECENSIONE

"Soul Kiss (Glide Divine)" by Spectrum, released in 1991 by Silvertone Records, manifests as a psychoacoustic foray into alien and surreal territories. Sonic Boom, master of minimalist language, shapes a sonic world where ethereal vibrations intertwine with reality as if they were narrative threads of a cosmic plot, pushing the music of Spacemen 3 to its extremes. The album unfolds through ethereal reverberations that fade into the atmosphere like distorted memories of parallel worlds. Tracks like "Lord I Don't Even Know My Name" and "Waves Wash Over Me" emerge as sonic oracles, evoking sci-fi atmospheres as if the sound itself were a portal to dimensions beyond our understanding. The free-form suites reveal themselves as fragments of sonic code, as if Sonic Boom had deciphered the matrix of the universe and was presenting it in musical form. "Neon Sigh" pushes the boundaries of perception, taking us to another dimension. The dizzying "Phase Me Out", sixteen minutes long, stands as a sonic ritual evoking images of Tibetan mantras transfigured by the mind of an android from a distant future, a cybernetic synthesis of Stockhausen and cosmic visions. Amidst this sonic labyrinth, gems also emerge such as "Touch The Stars" and "The Drunk Suite". Sonic Boom, the wizard of minimalist language, masterfully manipulates melodic fragments that hover in the air like holograms of a distorted reality, creating futuristic harmonies that challenge our perception. In conclusion, "Soul Kiss (Glide Divine)" reveals itself as a transcendental sonic odyssey, a futuristic work that defies the laws of conventional music. Sonic Boom guides us through unexplored soundscapes, opening a window to alternative worlds that only a visionary could outline.