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THE REVIEW
That the '80s were an amalgamation of overflowing and often mismatched ideas is no mystery. They are certainly the years of MTV pop and the transformation of old rock dinosaurs towards more commercial and palatable sounds, but they are also the period in which New Wave was taking its last steps and many of its exponents had by then fully established themselves. The first part of the decade is definitely much more interesting from a musical standpoint compared to the less enticing second half, which was decidedly too influenced by economic aspects. The much-maligned Spandau Ballet are part of these early years, victims like Duran Duran of a rapid musical categorization that saw them as exponents of romantic music for young girls. The New-Romantic movement is more complex, and a prepackaged definition is certainly not enough to define it, and with time perhaps the genre will be studied more thoroughly.
"Diamond" is the second release from the British group, published in 1982. Compared to the rougher beginnings of "Journeys To Glory" from the year before, the Kemp brothers' new record introduces new funky sounds with extensive use of horns, this turn is manifested in the opening track "Chant No. 1". The entire first side A follows the same line set by the beginning, with songs where the main component remains the rhythm and there is a great emphasis on instrumental parts which are now much less minimal and more refined, even Hadley’s singing sounds like an additional instrument. "Paint Me Down" and "Instiction" cannot be categorized as mere pop songs; they are based on a careful exploration despite the group not seeking complex melodies and they remain within well-defined boundaries. The B side, opened by the simpler and more immediate track "She Loved Like Diamond", evokes paths previously traveled by Japan, a group of fundamental inspiration also for Duran Duran. Soft and delicate tracks, "Innocence And Science" with its oriental tones is very beautiful, as is the closing of "Missionary".
The following year will see the release of "Gold" and "True" and a much more pop and polished sound, but the first two works of this group deserve a listen because they are surely not exceptional products but not to be thrown into the waste bin too quickly based on easy prejudices.
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Summary by Bot
Spandau Ballet’s 1982 album Diamond reveals a shift toward funk-influenced New Wave with refined rhythms and horn sections. The album balances energetic tracks like 'Chant No. 1' and softer, delicate tunes, illustrating the band’s complexity beyond simple pop labels. While not groundbreaking, Diamond deserves recognition apart from common stereotypes of ’80s pop acts. This album offers a richer musical experience than its critics often admit.Tracklist Lyrics
03 Paint Me Down (03:44)
Paint me down
Paint me down
Paint me down
Im walking into studio
Consider strange appeal
Paint me in the home
Im brushing up on sketchbook
Designs for love unreal
Paint me in the home
Oil and skin youll need to buy it
Consider what I mean
She sinks beneath thr moving pictures
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down
Im soaking up the surface
Conceaiving new idea
Paint me in the home
Shes oiling up her subject
But all still life is here
Paint me in the home
All the boys with framed dimension
A cover up on lust
Hell take his pain and paint it over
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down
04 Coffee Club (05:32)
Matthew didn't stay home,
he went abroad instead
journeys to glory breathing in his head
got caught up with shoe horns
but he could'nt get a shine
Matthew bought the rap
and read the map without a sign.
Contort yourself on disco
with a rap trap white and brown
caught within the spinning
the key-chain gang went down
no coffee club will have the rub
when product is your answer
discuss the man,he'll break your plan
it's deep within the dancer...
Wear it on your back now
and summerise your vision
on the train and through the strain
your own soul decision
well she had a certain shimmer
she sleeps with him tonight
stifled love decides where I'm dreaming...
No coffee club will have the rub
when product is your answer
discuss the man, he'll break your plan
it's deep within the dancer...
Spandau Ballet
Spandau Ballet are a British new wave/New Romantic band formed in London in 1979. The classic lineup features Tony Hadley, Gary Kemp, Martin Kemp, Steve Norman, and John Keeble. They rose to international fame in the early 1980s with hits like True, Gold, and Only When You Leave; the band originally split in 1990 and reunited for tours and releases from 2009 to 2019.04 Reviews
