Soul II Soul
Club Classics Vol. One

THE REVIEW

Well, the title itself is a statement of intent, bold but aware of its own means. After the white predominance of the first half of the decade, "Club Classics vol. II" bursts onto the scene and returns black music to the top position in the pop charts. And it does so by combining the past of soul and R'n'B with the present rap and electronic , while incorporating a recovery of the African musical roots. The result is an "intelligent" dance , elegant and never vulgar, yet immediate and hip-shaking. The electronic component predominates without ever being heavy or excessive, and the music retains a warmth that is all black.

The whole thing is driven by magnificent female voices (notably Caron Wheeler, who performs the mega hits "Keep on Movin'" and "Back to Life") and by Jazzie B, whose singing style may not boast technical prowess, but is endowed with enviable charisma, posing as a kind of credible soul guru, without, however, failing in the role of rap master of ceremonies; the sophisticated arrangements are also his work. Jazzie B is also joined in directing the project by Nellee Hooper, who would later be acclaimed as the producer of Madonna and above all the creator of the Bjork phenomenon...not a small feat.

The impact of the work is devastating: most of the rhythm and blues that dominated the charts until a few years ago finds its source in these songs, yet without having a shred of its good taste. A noteworthy fact: they come from Bristol, and there is no doubt they are an influence for the standard-bearers of trip hop. It is no coincidence that the then-unknown Massive Attack appear as guests on one track.

Closing thought of the review: if today's club classics were like this, in the disco I wouldn't just sit there with a Jack and Coke mentally rating the feminine backsides shaking in front of me. Perhaps I'd even dance, despite having the agility of a cement mixer.