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❝ In the Highest of Skies can undoubtedly be classified as that political, protest cinema that, between the Sixties and Seventies, had among its exponents the aforementioned Pasolini, but also Luis Buñuel and Elio Petri.
❝ A blunt film, ruthless and outspoken in denouncing the absurdity of the Institution of Marriage (primarily) and then highlighting the futility of sanctifying the education of the young or other similar religious institutions.
❝ the film is not an attack on faith or religion; rather, it’s merely a critique of it.
❝ A unique, in every sense
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