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Rating: Sebastiano Fusco stands out as an authority in the Lovecraftian landscape, offering unparalleled expertise in exploring the work of H.P. Lovecraft. His collaboration with Gianfranco De Turris has been instrumental in introducing the Recluse of Providence to Italy, thanks to the introductions to Fanucci's series and significant texts such as the valuable Castoro essay, now considered a rare collector’s item. Although some observers have rightly noted certain ideological biases, the work of Fusco and De Turris, aside from these considerations, was praised by the late Giuseppe Lippi.
Over the years, Fusco has zealously continued to explore Lovecraft’s world, publishing interesting works such as Il vento delle stelle (unfortunately out of print due to the bankruptcy of publisher Agpha Press), albeit with some unforgivable slips, like the false attribution to Lovecraft of the novel "L'orrore che viene dall'est" by H.P. Lovering. The long-awaited Il grande libro di H.P. Lovecraft has lived up to expectations: the volume is well-structured and follows Lovecraft's human, artistic, and philosophical journey from his childhood to his death.
Although those who have already read the monumental biography by S.T. Joshi, Io sono Providence, may find some repetitions, the volume presents itself as a complete work that will surely attract the attention of Lovecraft cult enthusiasts. Fusco demonstrates a thorough knowledge of Lovecraft's mythological corpus while also showing vast experience in esotericism.
The Roman journalist highlights the current phenomenon of magicians, cabalists, and theurgists who perform rituals based on Lovecraftian mythology, recognizing the creative power of thought on a higher plane of reality. However, he wisely warns against the dangers of excessively pushed occultist theories.
Fusco further delves into the danger of occult deviations, cautioning against followers like Kenneth Grant who have drawn parallels between the Cthulhu Mythos and Aleister Crowley. He emphasizes how these theories have been detrimental, with effects still felt today. Fusco clearly states that thinking of Lovecraft associated with secret cults and other misleading practices is decidedly counterproductive, although unfortunately, books dealing with such matters are not lacking.
The true greatness of Lovecraft, according to Fusco, lies in his ability to create a cosmic, not supernatural, art that transcends the barriers of time and space. Fusco rightly underlines the ancient teachings of magical doctrines, highlighting how the macrocosm aligns with the microcosm.
"Il grande libro di H.P. Lovecraft" not only offers an in-depth analysis but enriches the reader's experience with numerous and valuable photos of Lovecraft, reproductions of vintage magazine covers, and significant excerpts from his correspondence. If you are devotees of the Lovecraftian myth or aspire to delve into his work, purchasing this volume is highly recommended.
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