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A voice and a guitar, guitar and voice, seven acoustic ballads, thirty-four minutes: these are the numbers of “The Wake”, which only on a couple of occasions is tainted by the poised electricity of a slide guitar (by Frank Sullivan), while Daemon Kelly is credited on bass, without his instrument disrupting the coordinates of a work that remains the superhuman effort of a man and his guitar. Discover the review
A voice and a guitar, guitar and voice, seven acoustic ballads, thirty-four minutes: these are the numbers of “The Wake”, which only on a couple of occasions is tainted by the poised electricity of a slide guitar (by Frank Sullivan), while Daemon Kelly is credited on bass, without his instrument disrupting the coordinates of a work that remains the superhuman effort of a man and his guitar.
Nothing but his voice, at times whispered, at times clearer and brighter, accompanied by an acoustic guitar and very little else. Discover the review
Nothing but his voice, at times whispered, at times clearer and brighter, accompanied by an acoustic guitar and very little else.
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