Cover of Sabaton The Art Of War
Anatas

• Rating:

For fans of sabaton,lovers of power metal,heavy metal enthusiasts,listeners of manowar and grave digger,followers of swedish metal,readers interested in metal album reviews
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THE REVIEW

Let's be honest: what a bore!

The brave Swedish warriors Sabaton, reaching their fourth album with this "The Art Of War," deliver yet another album of knightly blows, war, epicness, and so much love for Manowar, Grave Digger era "Excalibur" and the early warmongering Blind Guardian.

Musically speaking, we're faced with a product in full eighties new wave style, where you hear the usual epic choruses, the usual epic galloping, the usual epic riffs, and the usual things that can't help but make fans of the most epic and Manowar-esque heavy metal rejoice and jump out of their seats.

The album, however, isn't bad, and that's what annoys me the most. To be fair, a band that can offer something dynamic, fun, beautiful, rightly pissed off, melodic, and..... so very heavy, why does it have to get lost in the gaudy and the obvious, with the usual rocky riffs and usual lightning-fast solos, fast enough, melodic, and always sharp. It shouldn't! And, always strictly, without breaking the mold.

And if in "Firestorm" we hear ".... DIe, Die..!!!" we shouldn't be so surprised because it will be the most natural thing in the world.

Songs like the opener truly deserve all the gold in the world, as do the immense doses of epicness in "Ghost Division" and "Unbreakable," which prove to be truly winning songs with the right ingredients precisely dosed.

But the question is: where's the guts? Why do we have to endure in 2008 yet another group, technically skilled, very good (and that's undisputed) providing a musical offering that's been repeated by countless other musical groups without even a shred of novelty? Even if they venture into "Cliffs of Gallipoli" with His Majesty John Oliva and his Savatage with a refrain that's practically a copy-and-paste of "Edge Of Thorns," this album just doesn't do it for me.

Returning to the beginning: what a bore!

Sabaton are good, they've surely matured (four albums in, it's only right) but they seem like Manowar, and together with the other aforementioned bands, poor fellows who will involve all lovers of power metal and heavy in general but who won't say a damn pinned cap to anyone who seeks a shred of novelty within metal and music in general.

An album to listen to but to be locked away in the drawer after the first couple of listens. A real shame.

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Summary by Bot

The review praises Sabaton's technical skill and epic metal style but criticizes The Art of War for lacking originality. The album offers powerful choruses and notable songs like "Ghost Division," yet overall it feels repetitive and predictable. The reviewer finds it enjoyable for power metal fans but unlikely to offer lasting impact or innovation. Ultimately, it's deemed a solid but unremarkable release.

Tracklist Videos

01   Sun Tzu Says (00:24)

02   Ghost Division (03:51)

03   The Art of War (05:09)

04   40:1 (04:11)

05   Unbreakable (05:58)

06   The Nature of Warfare (01:19)

07   Cliffs of Gallipoli (05:52)

08   Talvisota (03:32)

09   Panzerkampf (05:16)

10   Union (Slopes of St. Benedict) (04:05)

11   The Price of a Mile (05:55)

12   Firestorm (03:26)

13   A Secret (00:41)

14   Swedish Pagans (04:13)

15   Glorius Land (03:19)

16   Art of War (Pre Production Demo) (04:48)

17   Swedish National Anthem (Live At Sweden Rock Festival) (02:35)

Sabaton

Sabaton is a Swedish power metal band formed in Falun in 1999 by Joakim Brodén and Pär Sundström. Known for lyrics focused on historical wars and battles, they pair martial rhythms and anthemic choruses with narrative songwriting. Key releases include Primo Victoria (2005), The Art of War (2008), Carolus Rex (2012), The Last Stand (2016), and The Great War (2019).
07 Reviews

Other reviews

By GiovanniRac

 If you seriously listen to the lyrics without prejudgment, it becomes perfectly clear that the central theme is the despair and suffering brought by war.

 It honestly conveyed to me the sensations of what life in the trenches might have been better than Hemingway did in A Farewell to Arms.