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THE REVIEW
Among the hordes of players who delight the people of this earth, few are exceptional in providing an enlightening contribution to the queen of music. Among them, there is only one known who, with inspiration coming from beyond the celestial veil, dared to coin a genre. His name is Christian Vander.
But what would a genre ever be useful for if it doesn't see its disciples being born and growing? Know then that the magmatic legacy has pushed as far as the lands of the east and has been embraced with the eagerness of a son by a kamikaze drummer, who, with the considerable help of daring bass players, has brought it to life again with the calculating spirit and frantic rhythm of the great metropolises.
In the moments of "Pallaschtom" (2000), among its inaccessible and intricate paths, after three decades of research, Tatsuya Yoshida finds near stylistic perfection by marrying the codes of the ancient Kobaian civilization with the anger and violence of post-modern society.
Zeuhl dressed in math-core. Sun luszt!
Hamatai!
Fur ek is prog.
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Summary by Bot
The album 'Pallaschtom' by Ruins commands respect as a near-perfect fusion of Zeuhl and math-core. Guided by Tatsuya Yoshida's intense drumming and adventurous bass lines, it advances the legacy of Christian Vander with a fresh, urban energy. A complex and electrifying experience for progressive music fans.Tracklist
Ruins
Ruins is a Japanese experimental progressive rock group led by drummer and vocalist Tatsuya Yoshida, known for Zeuhl-influenced, intense duo arrangements and complex, rhythmic music.01 Reviews
