Among the hordes of players who delight the people of this earth, few are exceptional in providing an enlightening contribution to the queen of music. Among them, there is only one known who, with inspiration coming from beyond the celestial veil, dared to coin a genre. His name is Christian Vander.

But what would a genre ever be useful for if it doesn't see its disciples being born and growing? Know then that the magmatic legacy has pushed as far as the lands of the east and has been embraced with the eagerness of a son by a kamikaze drummer, who, with the considerable help of daring bass players, has brought it to life again with the calculating spirit and frantic rhythm of the great metropolises.

In the moments of "Pallaschtom" (2000), among its inaccessible and intricate paths, after three decades of research, Tatsuya Yoshida finds near stylistic perfection by marrying the codes of the ancient Kobaian civilization with the anger and violence of post-modern society.

Zeuhl dressed in math-core. Sun luszt!

Hamatai!

Fur ek is prog

Tracklist

01   Pallaschtom (02:09)

02   Gharaviss Perrdoh (02:37)

03   Znohjmo (03:36)

04   Nivaftopoftz (01:11)

05   Celledomi Guazto (04:06)

06   Guamallapish (04:18)

07   Korromda Peimm (02:12)

08   Kippssidamn (04:52)

09   Czerudmuntzail (03:41)

10   Schvostess (01:59)

11   Blimmguass (04:02)

12   Bupphairodazz (03:54)

13   Jallamjikko (01:15)

14   Ffilhizabmn (04:06)

15   Quetzalcoatl (05:39)

16   Yawiquo (06:49)

17   Classical Music Medley (01:15)

18   Hard Rock Medley (02:30)

19   Progressive Rock Medley (02:32)

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