More than three decades after the triumphant Irish Tour, following a substantial handful of LPs faithful to the blues rock verb with some jazz whim (Calling Card) or more digestible hard rock and finally less incisive (Top Priority), Rory Gallagher, an Irishman with his heart in the Mississippi Delta, records the last notes of his career, soon cut short by a premature but sadly predictable death.
We are at the beginning of the '90s, a few years before heavy metal had shaken the pillars of the music business, and the first signs of the alternative/grunge scene were becoming evident. Gallagher, following his now well-known path disconnected from market rules, decides to return to a classic and raw blues rock. Nothing new, nothing surprising, this "Fresh Evidence".
So, why prefer it over other similar ones? Because, aside from the first anonymous track, the somewhat coarse hard rock of previous years has been set aside; because a track like "King Of Zydeco" has a unique groove; because there's "Heaven's Gate" with its solid and edgy vibe; because the execution is impeccable and his voice still offers various satisfactions. Most importantly, because the guitar still has great personality and the songwriting is more than decent, without too many pretensions.
A work to be placed alongside the contemporary and powerful "Let Me In" by Johnny Winter, that is, when the past returns with class and grit. Both underrated and deserving of revival.
3.5