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Claustrophobic, unhealthy, grotesque, blasphemous, shocking, insane: these are the first chilling twenty minutes of the uncompromising yet intriguing work conceived, written, and directed magnificently by filmmaker De Heer, perfectly acted and characterized by the eclectic and convincingNicholas Hope, in his debut in front of the camera, a sort of Jack Nicholson with a character considerably more deranged and genuinely “out there” than the same character he portrayed admirably in Kubrick’s “The Shining”. Discover the review
Claustrophobic, unhealthy, grotesque, blasphemous, shocking, insane: these are the first chilling twenty minutes of the uncompromising yet intriguing work conceived, written, and directed magnificently by filmmaker De Heer, perfectly acted and characterized by the eclectic and convincingNicholas Hope, in his debut in front of the camera, a sort of Jack Nicholson with a character considerably more deranged and genuinely “out there” than the same character he portrayed admirably in Kubrick’s “The Shining”.
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