Cover of Róisín Murphy Ruby Blue
Andrea Frassoni

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For fans of róisín murphy,lovers of electro jazz and disco-pop,listeners of experimental and eclectic music,followers of moloko,music enthusiasts seeking innovative vocal performances
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THE REVIEW

After the Moloko project ended, Róisín Murphy, the talented and seductive vocalist, makes her solo debut with the album "Ruby Blue", an electrifying and refined work, conceived with the eclectic producer Matthew Herbert.
The tracks of "Ruby Blue", some already showcased in the magnificent EP series titled "Sequins", span across electro jazz, disco-pop, and soul, and Róisín's voice, accompanied by elegant arrangements, experimental orchestrations, quirky musical architectures, reaches a new level, more intimate and sensual compared to the productions with Moloko.

The album opens with "Leaving The City", characterized by a tortuous and bizarre sonic backdrop over which the singer performs singular vocal acrobatics, followed by "Sinking Feeling", a track with a swinging rhythm to which Herbert's arrangement and Róisín's voice give a grace and retro style, yet paradoxically innovative. Similarly, with the next song "Night Of The Dancing Flame", the atmospheres become more sinister and nocturnal. "Through Time" is probably the most serene song on the album, distinguished by a brilliant little organ in the background accompanying the vocal. "Sow In To You" is just as original but more energetic, funky, yet unconventionally so, ideal for the dance floor. "Dear Diary" appears like a disco music track but with an unusual and quirky arrangement. "If We’re In Love", the first single, can be considered the sum of the styles and sounds present in the album. "Ramalama (Bang Bang)" appears menacing, obsessive, and decadent. "Ruby Blue", the title track, is acid, uncomfortable but ingenious, while "Off On It" is a sort of electronic blues where the guitar arpeggio is tainted with the most varied and noisy sounds. After the brief "Prelude To Love In The Making", the work closes with "Closing Of The Doors", a beautiful and emotional piano and voice ballad.

The album's artwork is entrusted to Simon Henwood, one of the most active illustrators, painters, and designers in the musical scene and beyond (among his latest works a portrait of Devendra Banhart and Kylie Minogue).

"Ruby Blue" does not disappoint expectations and presents itself as an intriguing, eccentric, unpredictable work, a unique and innovative sonic spectacle made up of music at times complicated but able to reveal itself slowly, to arouse curiosity, to fascinate, and to seduce the listener. Róisín Murphy is the muse, the chanteuse, the diva most suited for such an operation, given that she certainly lacks neither class nor talent.

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Summary by Bot

Róisín Murphy's solo debut album Ruby Blue, produced with Matthew Herbert, offers an eclectic mix of electro jazz, disco-pop, and soul. The album highlights her intimate and experimental vocal style supported by quirky arrangements. Standout tracks showcase graceful retro and innovative sounds, making it an intriguing and seductive listen. The album artwork complements the unique musical approach. Ruby Blue is a refined and captivating work that confirms Murphy's talent beyond Moloko.

Tracklist Lyrics Videos

01   Leaving the City (04:49)

02   Sinking Feeling (03:32)

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03   Night of the Dancing Flame (03:26)

04   Through Time (05:58)

05   Sow Into You (03:56)

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07   If We're in Love (04:31)

08   Ramalama (Bang Bang) (03:35)

11   Prelude to Love in the Making (00:53)

12   The Closing of the Doors (03:28)

Róisín Murphy

Róisín Murphy is an Irish singer and songwriter who first rose to prominence as half of Moloko before launching a solo career that blends electronic pop, house and disco. Her albums include Ruby Blue (2005, with Matthew Herbert), Overpowered (2007), Hairless Toys (2015), Take Her Up to Monto (2016) and Róisín Machine (2020).
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