Who says that sequels are always worse than the originals?

Hush! This time this one is at least as good as the first, if not better.

Great ideas, excellent actors (above all Lloyd, but also Michael Andrew Fox, known as Michael J. Fox) with a brisk pace, take us on a breathtaking journey back and forth in time.

Several scenes are memorable, especially the splendid, rhythmic, and compelling chase on flying skateboards. Poor Biff in the end, as always, our dear antagonist will be mocked by the protagonist. Fantastic.

A must-watch and re-watch until it wears out, rendering the film transparent.

In the end, it's all a great metaphor about life and the sense of time, as well as the dual and the resemblance with our ancestors. The importance of genetics is dramatically emphasized here (the protagonist is identical to his grandfather and his son is his father's spitting image). It's thought-provoking. 

Film dating back to 1989, Fox was still unaware of what awaited him... The illness was far from his mind, and in my opinion, this is evident between the scenes of the film. What do you think? (I'm waiting for answers in the comments section of the review).

Dear readers, I've been absent from DeBaser's scenes for a long time, but those who follow me outside (hello Franco, hello Giandomy) know that I have not stopped talking about films, even though I stopped writing about them. Nevertheless, after the Sanremo break, I wanted to return to talk about the seventh art like no one ever has.

I'll be brief in emphasizing the beauty of the screenplay and the fitting simplicity of it. Everything is excellent, cast at the top.

It's a real shame to see the lavish celebration of the Academy year after year, thinking of all those divas who spend millions to have the latest fashion dress and no one who spares a word to thank Michael J. Fox for what he has done for cinema despite his illness. 

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Other reviews

By Ocean

 Brother Martin did something great by burning the red book. He defeated greed, the capital vice that mocks (almost) all men.

 The result: a brilliant screenplay full of twists and references. By far the most beautiful of the trilogy.